- The Collaborative Numismatics Project
  Explore Our Website And Find Joy In The History, Numismatics, Art, Mythology, And Geography Of Coins!!! NumisWiki Is An Enormous Unique Resource Including Hundreds Of Books And Thousands Of Articles Online!!! The Column On The Left Includes Our "Best of NumisWiki" Menu If You Are New To Collecting - Start With Ancient Coin Collecting 101 NumisWiki Includes The Encyclopedia of Roman Coins and Historia Nummorum If You Have Written A Numismatic Article - Please Add It To NumisWiki All Blue Text On The Website Is Linked - Keep Clicking To ENDLESSLY EXPLORE!!! Please Visit Our Shop And Find A Coin You Love Today!!!

× Resources Home
New Articles
Most Popular
Recent Changes
Current Projects
Admin Discussions
How to
Index Of All Titles


Aes Formatum
Aes Grave
Aes Rude
The Age of Gallienus
Alexander Tetradrachms
Ancient Coin Collecting 101
Ancient Coin Prices 101
Ancient Coin Dates
Ancient Coin Lesson Plans
Ancient Coins & Modern Fakes
Ancient Counterfeits
Ancient Glass
Ancient Metal Arrowheads
Ancient Oil Lamps
Ancient Weapons
Ancient Wages and Prices
Ancient Weights and Scales
Anonymous Folles
Anonymous Follis
Anonymous Class A Folles
Antioch Officinae
Armenian Numismatics Page
Byzantine Denominations
A Cabinet of Greek Coins
Caesarean and Actian Eras
Campgates of Constantine
A Case of Counterfeits
Byzantine Christian Themes
Clashed Dies
Coins of Pontius Pilate
Conditions of Manufacture
Corinth Coins and Cults
Countermarked in Late Antiquity
Danubian Celts
Damnatio Coinage
Damnatio Memoriae
Denarii of Otho
Diameter 101
Die Alignment 101
Dictionary of Roman Coins
Doug Smith's Ancient Coins
Edict on Prices
ERIC - Rarity Tables
Etruscan Alphabet
The Evolving Ancient Coin Market
Facing Portrait of Augustus
Fel Temp Reparatio
Fertility Pregnancy and Childbirth
Friend or Foe
The Gallic Empire
Gallienus Zoo
Greek Alphabet
Greek Coins
Greek Dates
Greek Coin Denominations
Greek Mythology Link
Greek Numismatic Dictionary
Hellenistic Names & their Meanings
Hasmonean Dynasty
Helvetica's ID Help Page
The Hexastyle Temple of Caligula
Historia Numorum
Horse Harnesses
Identifying Ancient Metal Arrowheads
Illustrated Ancient Coin Glossary
Important Collection Auctions
Islamic Rulers and Dynasties
Julian II: The Beard and the Bull
Julius Caesar - The Funeral Speech
Kushan Coins
People in the Bible Who Issued Coins
Imperial Mints of Philip the Arab
Later Roman Coinage
Latin Plurals
Latin Pronunciation
Library of Ancient Coinage
Life in Ancient Rome
List of Kings of Judea
Malloy Weapons
Maps of the Ancient World
Military Belts
Mint Marks
Museum Collections Available Online
Nabataean Alphabet
Nabataean Numerals
The [Not] Cuirassed Elephant
Not in RIC
Numismatic Bulgarian
Numismatic Excellence Award
Numismatic French
Numismatic German
Numismatic Italian
Numismatic Spanish
Parthian Coins
Patina 101
Paleo-Hebrew Alphabet
Phoenician Alphabet
Pi-Style Athens Tetradrachms
Pricing and Grading Roman Coins
Reading Judean Coins
Representations of Alexander the Great
Roman Coin Attribution 101
Roman Militaria
Roman Mints
Roman Names
Rome and China
Satyrs and Nymphs
Serdi Celts
The Sign that Changed the World
Silver Content of Parthian Drachms
Star of Bethlehem Coins
Statuary Coins
Sylloge Nummorum Graecorum
Syracusian Folles
Taras Drachms with Owl Left
The Temple Tax
The Temple Tax Hoard
Test Cut
Travels of Paul
Tribute Penny
Tribute Penny Debate Continued (2015)
Tribute Penny Debate Revisited (2006)
Tyrian Shekels
Uncleaned Ancient Coins 101
Venus Cloacina
What I Like About Ancient Coins
Who was Trajan Decius
Widow's Mite

   View Menu


Reprinted by permission from "Artifacts of Ancient Civilizations"  by Alex G. Malloy

The development of pottery over the millennia has resulted in so vast an array of pottery types that it would be difficult for the large museums to have a large, comprehensive collection. Severn types of pottery decoration can be found: 1) painted glaze and fired, 2) painted non-glaze, 3) two or more colors of clay fired, giving a multi-color pattern, 4) stamped incuse pattern applied to the vessel, 5) a repousse pattern applied to the vessel, 6) incised decoration and 7) hand molded with finger-induced design. Two types of plain ware are identified: 1) a plain ware with no slip, and 2) a plain ware with colored slip applied part of all of vessel. One or more of these types can be found on any vessel.

The soils and clays help us identify the various locations of manufacture. The earliest pottery was hand molded. This procedure finally gave way to the pottery wheel. The Greeks produced pottery vessels of high quality. The greater potters even signed their names along with the Greek vase painters.

The earliest evidence of pottery occurs during the 6h millennium B.C., during the Neolithic period - sited fro Anatolia and the Middle East revealed early forms of pottery. The most spectacular finds are from Hacilar in southwest Turkey, and at Catal Huyuk. The 6000 B.C. communities of town-size proportions saw the early emergence of civilization with an agrarian and hunting lifestyle. Clay vessels were made during the Pottery Neolithic A period in the Middle East during the 6th - 5th millennium B.C.  Also, all of the great civilizations of the Near East produced pottery. Plain ware and painted ware were manufactured, and by the close of the of the 3rd millennium B.C. pottery was made throughout the Western Asiatic region. During this period, the proliferation of the wheel made pottery much easier to create, an it soon become accessible to everyone.

Pottery from the Fertile Crescent, the Holy Land, Persia, Anatolia, and early Europe used simple decoration techniques. They used slip over the vessel, incision design, and painted geometric patterns. The shapes, for the most part, are simple but sometimes include tall necks, flair rims, elongated spouts, strap handles, and many times, rounded bases.

Predynastic pottery is one of the most interesting of Egyptian types. Black top jars and crimson buffware are among the most sought after of the potteries. The Egyptians manufactured, along with with the plainer pottery vessels, fine carved stone vessels and brightly colored blue faience.

Greek pottery, in all its many places and periods, is the most sought after. It is a most satisfying area to collect. The earliest dates are from around the 2nd millennium B.C.  The potter's wheel was introduced as a means of achieving finer manufacture. The vibrant black and red colors of Greek pottery were a result of the slips and paints which contained iron. This resulted in firing to cause a chemical reaction to the conditions in the kiln. They used a three-step firing cycle. The first stage was letting oxygen in the kiln, producing the red-orange color. In the next step, no oxygen was let in, and the firing procedure would begin using green wood. This produced the black colors. The last step was the reissuing of oxygen. Here the ferrous oxide turns back to red. Whites and purples were added before firing. This produced some of the most beautiful ancient objects known.

The categories of Greek pottery are Minoan, Mycenian, Proto-Geometric, Geometric, Corinthian, East Greek, Athens (Attic black figure, Attic red figure), South Italian, Hellenistic (Gnathian, Calen, and Megarian), Etruscan (Bucchero, Etrusco-Corinthian) and Cypriot.

Not only whole Greek vases are collected. Vase fragments are highly cerished. The fine artwork of the vase paintings are revealed even on fragmets.

Western Asiatic pottery

The wealth of ancient pottery found in Western Asia is vast, to say at least. The very early pottery from Hacilar, in Turkey, during the Chalcolithic period, is highly sought after. The collector should be warned that many fakes of this pottery have been found on the market in the past. Pottery from Mesopotamia is not widely offered for sale. The fine painted examples from the Halaf period are widely sought, but not found. Pottery found in Iran and Syria have been more available to the collector, but this has changed with the uncertainty in the political climate today.

Central Asiatic pottery

Pottery and terracotta sculptures from central Asia range from the many interesting examples of terracotta sculpture from the Indus Valley cultures, particularly figurines and chariot models, to the characteristic pottery and stucco sculpture of Gandhara.

Holy Land pottery

Pottery finds in all periods from the Chalcolithic on are usually extensive, and pottery is the tool archaeologists use most int he Holy Land to date finds. Much work was done by archaeologists to establish the dating of Holy Land pottery and it is now very well established. Although the pottery was often rather simply decorated, sometimes with a nice slip or incised geometric pattern, some periods, such as the bichrome period in the Bronze Age, saw the production of beautifully panted pottery.

Egyptian pottery

Pottery is quite plentiful in Egyptian excavations. Unfortunately, with the exception of the predynastic and New Kingdom and Roman periods, it is usually quite utilitarian and plain in nature. Roman period pottery from Egypt is rather distinctive and ranges from the simple to the elaborately painted. Often it is decorated with interesting designs in relief, for example, the highly decorated pilgrim flasks which occasionally appear on the market. Some predynastic, new Kingdom and Roman pottery found in Egypt is painted usually in a geometric style. Types of pottery, as usual, include domestic vessels of various wares, oil lamps often with relief decoration, most of which date to the Ptolemaic/Roman periods, some ritual vessels particularly in the New Kingdom, architectural elements such as tiles, and various types of pottery used in the extensive Egyptian funerary rites. Pottery coffins have been found in some excavations.

Greek pottery

The earliest Minoan pottery was incised ware and painted ware with parallel lines and cross-hatching in various patterns. Early Minoan pottery has a beautiful flare spout in its pitchers and juglets. Magnificent stone carved vases are found from the Early and Middle Minoan phases. By the Middle Minoan period, many shapes were used, with butterfly, double axepations, swirls, branches, and various marine designs. In the later part of this period, wonderful polychrome vessels with dolphins, crabs, and stylized octopi appear. The Late Minoan is distinguished by finer baking. The designs become more complex with an emphasis on floral and marine patterns, A distinct two-handled goblet with a pedestal uses a single self-contained unit for decoration. All of the Cretan pottery is rarely on the market today, and commands strong prices.

The fine Greek pottery can be divided into four main groups. The Geometric wares are dated from 1000 - 700 B.C. The designs and origins were from many localities and were painted in brown or black monochromes. Trade contact with Egypt, Phoenicia and inland Western Asia resulted in the Orientalizing phase of Greek pottery. The images as seen on imported textiles, ivory, and metal objects from the East inspired the introduction of human, animal and plant forms on the new polychrome painting. Corinth was the center of this widely exported ware. Rhodes, Chios and the Cycladic Islands were also pottery centers. The Athenian potters during the 6th century until 530 B.C. developed the mature black-figuring technique. This was an expanded technique from Corinthian ware with details of the black figures incised. Athens was the center, but Chalkidian ware and East Greek wares were also produced. This stage of Greek pottery grew to such an extent that the artists began signing their works. Alongside the black-figure painting, the red-figure phase was invented around 530-520 B.C. This technique used a predominantly black black glazed background with figures and designs left in red-orange. The individual artists were rapidly developing skill in human anatomy, and the results are magnificent. Professor Beazley of Oxford was able to identify by style over 500 different painters. The height of this period is in the period from 480 - 450 B.C., when the generation of artists created a concept of ideal beauty. During this period, different wares also competed for excellence. White-ground ware ad the plastic vases were made, but not commonly found. Greek pottery declined during and after the Peloponnesian Wars. Many Attic artists moved their craft to Magna Graecia, where red-figure paiting lasted to the 3rd century B.C.

The pottery from Magna Graecia was varied and rich in quality. The red-figure pottery falls into two basic groups. One is Apulian and Lucanian, and the other group is Campanian, Sicilian and Paestan. The pottery from this area is the most collected today, A.D. Trendall estimates the total number of extant Apulain pottery is more than 10,000, Campanian at over 4000, and less than 1000 each of the other wares. The function of most south Italian vases was to hold water, wine, and oil. The funerary vases were not constrained by their function, but were designed more for visual appeal. Some were so large as to be unusable for holding water. This pottery was primarily used in the locality in which it was manufactured. The black glaze wares were produced with an unbroken lustrous surface. Its fine sheen resembles metal.

Roman pottery

Pottery is perhaps the most readily available of all Roman antiquities to the modern collector. Roman pottery ranges from the simple to the elaborate. Often it is mold decorated with interesting design in relief - for example, the Samian luxury ware - or etched with various patterns such as those found on North African redware. Some Roman pottery, particularly in peripheral parts of the empire such as Egypt, is painted. Types of pottery include domestic vessels of various wares, oil lamps often with relief decoration, some ritual vessels, architectural elements such as tiles, and various types of pottery used in funerary rites, such as cinerary urns. Many fine examples of the various types of Roman pottery can often be purchased by the astute collector for modest sums.

All coins are guaranteed for eternity