| Image search results - "Aeneias" |
Akarnania, Leukas, 87 BC, AR DidrachmCult statue of the goddess Aphrodite Aeneias with stag standing right, holding aplustre, bird on standard behind; all within a laurel wreath.
ΛΕΥΚΑΔΙΩΝ ΦΙΛΑΝΔΡΟΣ (Leukadion Philandros) above prow of galley right.
de Callataÿ Didrachms of Leukas 195-212 dies O31/R2; BCD Akarnania 313-314; BMC 180, 101-103; Postolokas, Lambros 67, 688 var.
(23 mm, 7.90 g, 11h)
Forestier & Lambert.
Based on the study of de Callataÿ, Didrachms of Leukas, this coin was struck in the summer and autumn of 87 BC as a contribution to Sulla’s campaign against Mithrades Eupator. De Callataÿ connected it with the encampment of Sulla’s troops at Leukas that year and argued that the coinage is a pseudo-civic Greek coinage issued by and for for the Romans. This is reflected in the reverse iconography where the galley prow is distinctively Roman, identifieable as such by the wolf head on the prow, above the ram, a decorative element unknown on Greek vessels.
This coin was struck when the Hellenistic age was in advanced decline, succumbing to the expansionary drive of Rome. The coins of this issue were often struck from relatively crude dies in an advanced state of wear. Yet they retain a charm and aesthetic that in some sense seems to speak of the last gasps of a dying Hellenistic age. The obverse image is thought to depict the cult statue of Aphrodite Aeneias, whose sanctuary was situated near the town of Leukas, overlooking the shipping canal that separated the island from the mainland. n.igma
|
|
Aphrodite Aeneias Akarnania, Leukas, 167-100 BC, AR Didrachm
Cult statue of the goddess Aphrodite Aeneias with stag standing right, holding aplustre, bird on standard behind; all within a laurel wreath. / ΛΕΥΚΑΔΙΩΝ ΦΙΛΑΝΔΡΟΣ (Leukadion Philandros) above prow of galley right.
BCD Akarnania 313-314; BMC 180, 101-103; Postolokas, Lambros 67, 688 var.
(23 mm, 7.90 g, 11h)
This coin was issued as the Hellenistic age was in decline, succumbing to the expansionary drive of Rome. The coins of this issue were often struck from relatively crude dies in an advanced state of wear. Yet they retain a charm and aesthetic that in some sense seems to speak of the last gasps of a dying Hellenistic age. The obverse image is thought to depict the cult statue of Aphrodite Aeneias, whose sanctuary was situated near the town of Leukas, overlooking the shipping canal that separated the island from the mainland.
|
|
|
|
|
