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1676 Charles II AR "Pattern Farthing"
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Obverse: CAROLVS•A•CAROLO•. Laureate and cuirassed bust of Charles II with long hair facing left, 1676 below.
Reverse: QVATVOR•MARIA VINDICO•. Britannia seated facing left, holding laurel branch and spear; BRITANNIA in exergue. No pellet between MARIA and VINDICO.
Diameter: 26mm | Weight: 5.9gms | Die Axis: 12h
Peck : 492
PATTERN OR MEDALET - RARE
This periwigged portrait of Charles II was designed by Jan (John) Roettier (1631 - 1700).
The legend, "Quatuor Maria Vindico," means "I claim the four seas," which Peck explains was "intended to give prominence to the king's pride and interest in the navy." The reason this legend never appeared on circulating coinage was probably because the legend was thought to be too provocative to the King of France.
It was Montagu who called this a Roettier pattern farthing of Charles II which, until the discovery in 1903 of 89 specimens in the cabinet of the Marquis of Ailsbury, had hitherto been considered the rarest of the "pattern farthings" of this type.
Peck, however, rejected Montagu's idea that these were patterns and wrote that it was much more likely that they were official medalets. In support of this view it should be noted that not only was this issue struck on a broader flan than usual, it was produced some four years after the issue of regular farthings had begun. It is perhaps also significant that this issue is unknown in copper and that it's die orientation is 12h (medallic orientation), against the 6h orientation which is the norm for the regular farthing coinage of the period. Incidentally, the silver value of this "farthing" would have been equivalent to one shilling and sixpence, that is 72 times the face value of a farthing at the time.
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![1676 Charles II AR "Pattern Farthing"
[i]Obverse[/i]: CAROLVS•A•CAROLO•. Laureate and cuirassed bust of Charles II with long hair facing left, 1676 below.
[i]Reverse[/i]: QVATVOR•MARIA VINDICO•. Britannia seated facing left, holding laurel branch and spear; BRITANNIA in exergue. No pellet between MARIA and VINDICO.
Diameter: 26mm | Weight: 5.9gms | Die Axis: 12h
[b]Peck : 492[/b]
PATTERN OR MEDALET - RARE
[b][color=purple]This periwigged portrait of Charles II was designed by Jan (John) Roettier (1631 - 1700).
The legend, "Quatuor Maria Vindico," means "I claim the four seas," which Peck explains was "intended to give prominence to the king's pride and interest in the navy." The reason this legend never appeared on circulating coinage was probably because the legend was thought to be too provocative to the King of France.
It was Montagu who called this a Roettier pattern farthing of Charles II which, until the discovery in 1903 of 89 specimens in the cabinet of the Marquis of Ailsbury, had hitherto been considered the rarest of the "pattern farthings" of this type.
Peck, however, rejected Montagu's idea that these were patterns and wrote that it was much more likely that they were official medalets. In support of this view it should be noted that not only was this issue struck on a broader flan than usual, it was produced some four years after the issue of regular farthings had begun. It is perhaps also significant that this issue is unknown in copper and that it's die orientation is 12h (medallic orientation), against the 6h orientation which is the norm for the regular farthing coinage of the period. Incidentally, the silver value of this "farthing" would have been equivalent to one shilling and sixpence, that is 72 times the face value of a farthing at the time.[/color][/b]](albums/userpics/10427/normal_CHARLES_II_AR_Farthing_Pattern_1676.JPG "Click to view full size image
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1676 Charles II AR \"Pattern Farthing\"
[i]Obverse[/i]: CAROLVS•A•CAROLO•. Laureate and cuirassed bust of Charles II with long hair facing left, 1676 below.
[i]Reverse[/i]: QVATVOR•MARIA VINDICO•. Britannia seated facing left, holding laurel branch and spear; BRITANNIA in exergue. No pellet between MARIA and VINDICO.
Diameter: 26mm | Weight: 5.9gms | Die Axis: 12h
[b]Peck : 492[/b]
PATTERN OR MEDALET - RARE
[b][color=purple]This periwigged portrait of Charles II was designed by Jan (John) Roettier (1631 - 1700).
The legend, \"Quatuor Maria Vindico,\" means \"I claim the four seas,\" which Peck explains was \"intended to give prominence to the king's pride and interest in the navy.\" The reason this legend never appeared on circulating coinage was probably because the legend was thought to be too provocative to the King of France.
It was Montagu who called this a Roettier pattern farthing of Charles II which, until the discovery in 1903 of 89 specimens in the cabinet of the Marquis of Ailsbury, had hitherto been considered the rarest of the \"pattern farthings\" of this type.
Peck, however, rejected Montagu's idea that these were patterns and wrote that it was much more likely that they were official medalets. In support of this view it should be noted that not only was this issue struck on a broader flan than usual, it was produced some four years after the issue of regular farthings had begun. It is perhaps also significant that this issue is unknown in copper and that it's die orientation is 12h (medallic orientation), against the 6h orientation which is the norm for the regular farthing coinage of the period. Incidentally, the silver value of this \"farthing\" would have been equivalent to one shilling and sixpence, that is 72 times the face value of a farthing at the time.[/color][/b]")
