RIC 1566 Vespasian

Æ As, 4.91g
Rome mint, 74 AD
Obv: IMP•VESP•AVG•P•M•T•P; Head of Vespasian, laureate, r.
Rev: S • C in laurel wreath
RIC 1566 (R). BMC 879. RPC 1986 (3 spec.). BNC -.
Acquired from eBay, May 2022.

In 74 AD the Rome mint produced an extraordinary issue of bronze coinage of dupondii, asses, semisses, and quadrantes with a somewhat Eastern theme. Previously, these coins had been attributed to either Commagene (BMCRE) or Syria (RPC, and doubtfully so in RIC), but more recent scholarship has shown they actually were struck in Rome. The circulation pattern confirms this - out of a total of 112 of the smaller denominations cited by RPC, all but 4 were found in Western Europe. Ted Buttrey confirms 'The Eastern finds appear to be simply the débris of Mediterranean circulation.' But why was this series produced in such a fashion? Buttrey proffers a plausible theory - 'There is nothing like this series in the whole of Roman imperial coinage. It is a deliberate act of Orientalism, imposing the flavour of the East on a Western coinage. The key to its understanding is the reverse type of the dupondius, two crossed cornuacopiae with a winged caduceus between. It replicates the type of an obscure issue of the Galilean city of Sepphoris, an issue which had been, astonishingly, signed by Vespasian himself (ΕΠΙ ΟΥΕCΠΑCΙΑΝΟΥ, “on the authority of…”) when on duty there in the last days of Nero. The dupondius-sized bronze was accompanied by a half-unit with the type of a large, central S C – again signed by Vespasian, and now imitated on the As of the orichalcum series with the wreath of the As of Antioch (RPC I 4849-50). The whole of this series memorializes not Vespasian the conquering general (IVDAEA CAPTA, VICTORIA AVGVSTI), but the man. His re-use of earlier coin types is well-known; here he re-uses his own, harking back to his career just prior to his final success in seizing the empire. And the series was struck in 74 A.D., co-terminous with the celebration of Vespasian’s first quinquennium.' So, in essence, a very personally important issue for Vespasian.

A rare variant 'S C' as featuring a right facing portrait paired with a scarce obverse legend. Unusually, the asses of this series were struck in orichalcum not copper and are much smaller than traditional contemporary asses. Missing from the Paris collection.