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PAMPHYLIA, Aspendos
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PAMPHYLIA, Aspendos. Circa 380-325 BC.
Greek ASPENDOS, modern BELKIS, ancient city of Pamphylia, now in southwestern Turkey. It is noted for its Roman ruins. A wide range of coinage from the 5th century BC onward attests to the city's wealth. Aspendus was occupied by Alexander the Great in 333 BC and later passed from Pergamene to Roman rule in 133 BC. According to Cicero, it was plundered of many of its artistic treasures by the provincial governor Verres. The hilltop ruins of the city include a basilica, an agora, and some rock-cut tombs of Phrygian design. A huge theatre, one of the finest in the world, is carved out of the northeast flank of the hill. It was designed by the Roman architect Zeno in honour of the emperor Marcus Aurelius (reigned AD 161-180)
The present-day Belkiz was once situated on the banks of the River Eurymedon, now known as the Kopru Cay. In ancient times it was navigable; in fact, according to Strabo, the Persians anchored their ships there in 468 B.C., before the epic battle against the Delian Confederation.
It is commonly believed that Aspendos was founded by colonists from Argos. One thing is certain: right from the beginning of the 5th century, Aspendos and Side were the only two towns to mint coins. An important river trading port, it was occupied by Alexander the Great in 333 B.C. because it refused to pay tribute to the Macedonian king. It became an ally of Rome after the Battle of Sipylum in 190 B.C. and entered the Roman Empire.
The town is built against two hills: on the "great hill" or Buyuk Tepe stood the acropolis, with the agora, basilica, nymphaeum and bouleuterion or "council chamber". Of all these buildings, which were the very hub of the town, only ruins remain. About one kilometer north of the town, one can still see the remains of the Roman aqueduct that supplied Aspendos with water, transporting it from a distance of over twenty kilometers, and which still maintains its original height.
Aspendos' theatre is the best preserved Roman theatre anywhere in Turkey. It was designed during the 2nd century A.D. by the architect Zeno, son of Theodore and originally from Aspendos. Its two benefactors— the brothers Curtius Crispinus and Curtius Auspicatus —dedicated it to the Imperial family as can be seen from certain engravings on the stones. Discovered in 1871 by Count Landskonski during one of his trips to the region, the theatre is in excellent condition thanks to the top quality of the calcareous stone and to the fact that the Seljuks turned it into a palace, reinforcing the entire north wing with bricks. Its thirty-nine tiers of steps—96 meters long—could seat about twenty thousand spectators. At the top, the elegant gallery and covered arcade sheltered spectators. One is immediately struck by the integrity and architectural distinction of the stage building, consisting of a Irons scacnae which opens with five doors onto the proscenium and scanned by two orders of windows which also project onto the outside wall. There is an amusing anecdote about the construction of this theatre—in which numerous plays are still held, given its formidable acoustics — and the aqueduct just outside the town: in ancient times, the King of Aspendos had a daughter of rare beauty named Semiramis, contended by two architects; the king decided to marry her off to the one who built an important public work in the shortest space of time. The two suitors thus got down to work and completed two public works at the same time: the theatre and the aquaduct. As the sovereign liked both buildings, he thought it right and just to divide his daughter in half. Whereas the designer of the aquaduct accepted the Solomonic division, the other preferred to grant the princess wholly to her rival. In this way, the sovereign understood that the designer of the theatre had not only built a magnificent theatre— which was the pride of the town—, but would also be an excellent husband to his daughter; consequently he granted him her hand in marriage
AR Stater (21mm, 10.76 g). Two wrestlers grappling; DA between / Slinger to right; triskeles in field. Tekin Series D; SNG France 87 (same reverse die). Ex-CNG B9FV15E
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