Artificial Patina, Toning and "Make-up"
|
|
|
Close-up of false patina on fake Aelius denarius 23 viewsSo bad... Zero silver.
Just look at the fill.. ugh. I so wish this would have been real.
Whou would do such a thing? I know exactly who was complicit in selling this.
Ron C3
|
|
Artificial Patina - Four Identical Casts, Four Different Patinas101 viewsThis image demonstrates the talent of the forger in creating different patinas. The patina variation cannot hide that the coins are identical in centering, etc., because they are clones cast from the same mold. These types of forgeries are usually discovered quickly, but most often not until some have sold and the duplicates are discovered in sales records. Always buy from dealers that guarantee authenticity! Joe Sermarini
|
|
Artificial Patina - Fake Green Patina With Worn High Points Common on Sicilian Fakes127 viewsBronze dilitron, Calciati II p. 185, 80; SNG ANS 533 ff.; SNG Morcom 717; SNG Munchen 1159; SNG Lloyd 1456; BMC Sicily p. 189, 311; HGC 2 1439 (S), F, well centered, green patina, edge crack, light corrosion, Syracuse mint, 344 - 336 B.C.; obverse ZEYΣ EΛEYΘEPIOΣ, laureate head of Zeus Eleutherios left; reverse ΣYPAKOΣION, free horse prancing left; scarce
Reported by Din X who first suspected it due to the fake patina. This fake green patina is used by forgers who make cast fakes, most often of attractive larger Sicilian bronze coins. The patina is thin and worn on high points. This sometimes indicates a fake patina that should be carefully examined. This coin was confirmed fake by identical twins. Joe Sermarini
|
|
Artificial Patina - Fake Black Patina Common on Sicilian Fakes131 viewsBronze dilitron, Calciati II p. 185, 80; SNG ANS 533 ff.; SNG Morcom 717; SNG Munchen 1159; SNG Lloyd 1456; BMC Sicily p. 189, 311; HGC 2 1439 (S), F, well centered, green patina, edge crack, light corrosion, Syracuse mint, 344 - 336 B.C.; obverse ZEYΣ EΛEYΘEPIOΣ, laureate head of Zeus Eleutherios left; reverse ΣYPAKOΣION, free horse prancing left; scarce
Reported by Din X who first suspected it due to the fake black patina. This black patina is used by forgers who make cast fakes, most often of attractive larger Sicilian bronze coins. The patina first appears to be thick, but is actually thin and worn on high points. This sometimes indicates a fake patina that should be carefully examined. This coin was confirmed fake by identical twins. Joe Sermarini
|
|
Artificial Patina - Epoxy Filled Defects221 viewsThe areas surrounded by red are filled with epoxy material. The surface is painted. The coin is probably genuine and the epoxy filled deep pitting. The coin may be genuine but it is no longer in "collectible" condition.Ilya Prokopov
|
|
Artificial Patina - Different Periods, Same Patina226 viewsThe first coin is from the period 110-130 AD, the second coin is from 218-222 AD. But the patina is exactly the same! This is impossible. Fake sellers may have the same patina on many very different coins. Ilya Prokopov
|
|
Artifical Patina - Magnified Details308 viewsDetails of artificial patina on a cast fake specimen. Like many fake patina's it is thin and bare metal is exposed on the high points.
Gaius Caligula, Ae sestertius; 21,9g; 36mm
|
|
Artifical Patina - Magnified Details345 viewsDiadumenian 218 b.C.
Ae Sestertius 21,2g; 33mm
Details of artificial patina from a cast fake sestertius.
|
|
Artificial Patina - Fake Patina Appears Thick But Under Magnification is Evidently Thin198 viewsAgrippina
AE Sestertius 31,9g; 34,7mm
Details of fake patina from a modern forgery. Click to see a larger image. It appears to be a slightly rough thick patina but actually the patina is very thin and the roughness is in the cast metal. The bare metal exposed on the high points show how think the fake patina really is.
|
|
Artificial Patina - Poor Fake Patina293 viewsAE Sestertius
Cast, artificial patina.Ilya Prokopov
|
|
Artificial Patina - Toning on Silver228 viewsArtificial toning on silver is difficult to detect because chemically it can be identical to natural toning. Ilya Prokopov
|
|
Artificial Patina - "Jax" Patina366 viewsAE Sestertius,
Cast, artificial patina.Ilya Prokopov
|
|
Artificial Patinas - Multiple Copies of a Cast Fake Type - Note the Varieties of Patina712 viewsSince these are all modern casts, the patinas must all be fake. The patinas appear to be thick and rough but in fact they are very thin and the roughness is in the metal itself.
AE29: Septimius Severus
Reverse: KOIN PON NEOKAI METRO: ‘Neokaisareia, metropolis of the koinon of Pontus.’ Seated city goddess of Neokaisareia, surrounded by five standing city goddesses, three on the left and two on the right. A similar coin for Geta was in the Imhoof-Blumer collection, Griechische Munzen #55. Ih-B’s and the BMC’s interpretations are that the city goddesses represent the 6 cities of the Koinon of Pontus, an assumption that there were only 6 cities. Burrell thinks this interpretation is unlikely as there were probably many more than that and the coin is only a symbolic representation of the cities of the koinon to which Neokaisareia belonged.
Joe Sermarini
|
|
Artificial Patina - Artificial Blue and Brown Patina509 viewsGood experiment AE but unconvincing.Ilya Prokopov
|
|
Artificial Patina - "Jax" Patina452 viewsAE Sestertius:
Julia Paula. Rev. - CONCORDIAIlya Prokopov
|
|
Artificial Patina - "Jax" Patina572 viewsAE Follis
Constantinus II / IOVI CONSERVATORI
This patina may have been made with a commercial product called Jax. The patina is more blue than most (but not all) genuine patinas. As typical for fake patina, it is very thin and rubbed off the high points. Dirt has been applied to highlight the type and legends. Ilya Prokopov
|
|
Artifical Patina - Magnified Details1075 viewsA fake coin - sestertius of Trajan. The artificial patina covers the traces of the cast (yellow) At some spots it has fallen or is not well glued (red).Ilya Prokopov
|
|
Artificial Patina - Poor Adhesion of a Paint-Like Fake Patina339 viewsArtificial patina on an edge (pressed AE sestertius). Ilya Prokopov
|
|
Artificial Patina - Layered Artificial Patina455 viewsHere are the pictures from two coins with different chronology. The left is Roman provincial struck in 3rd c. AD, and right is Anonymous Bizantine follis. In both we see a thick layer of artificial patina. When examining the substrate on which the patina is applied I found that it is absolutely identical. I used a large optical zoom. Color is red-brown, almost cinnamon. The texture is slightly rough. The structure of the patina is also identical. The way the patina is flaked off and the type of metal beneath it is also identical. Shades of colors are close. I think these counterfeits are the product of the same workshop.Ilya Prokopov
|
|
Artificial Patina - Variations on the Same Fake Type416 viewsThe first two coins are cast and artificially patinated. They came to FORVM from two different consignors about the same time, one coin originating on UK ebay. The third image is CNG 158, lot 23. It looks extremely convincing and it is possibly the original from which the fakes were cast rather than a third copy.
The patina of the first specimen is identical to the patina we found on other cast fake sestertii, several of which are are already listed here.
Bronze AE 23, SNG Stancomb 310, SNG BM Black Sea -, VF, nice green patina, weight 10.371g, maximum diameter 23.7mm, die axis 0o, Kallatis? mint, obverse veiled bust of Demeter right, countermark of head of satyr right; reverse BASILEWS KANITOU, torch left and stalk of grain right
FORVM AUCTIONS
|
|
Artificial Patina - Fake Dirt875 viewsMechanical mixture of different components: paint, gum, dust, fine sand and glue.Ilya Prokopov
|
|
Artificial Patina - Impossible Colors609 viewsReverse: Impossible patina colors.Ilya Prokopov
|
|
Artificial Patina - Black "Paintina" on Silver755 viewsBlack "Paintina" on silver. The spelling is intentional - it is paint. It is intended to look like dark toning or horn silver. Ilya Prokopov
|
|
Artificial Patina - Before and After907 viewsObv:- NERO CLAVD CAESAR AVG GER P M TR P IMP P P, laureate head right with aegis / S-C
Rev:- Triumphal arch surmounted by quadriga, statue of Mars between columns.
RIC 143, Cohen 308.
We can see the repatination that has been done to the chocolate coloured replica after applying some dirt encrustations.
Submitted by Maridvnvm maridvnvm
|
|
|