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Mylasa (Milas, Turkey today) was often mentioned by ancient writers. The first mention is from early 7th century B.C., when Arselis, a Carian leader from Mylasa, helped Gyges in his fight for the Lydian throne. Under Persia, Mylasa was the chief city of Caria. Mylasa joined the Delian League c. 455 B.C., but Persian rule was restored by 400. Mylasa was the hometown and first capital of the Hecatomnid dynasty, nominally Persian satraps, but practically kings of Caria and the surrounding region, 377 - 352 B.C. In the Hellenistic era, the city was contested by Alexander's successors, but prospered. Mylasa was severely damaged in the Roman Civil War in 40 B.C., but again regained prosperity under Roman rule.GA96764. Silver tetartemorion, HN Online 980; SNG Kayhan 940 - 943; SNG Keckman I 926; SNG Tübingen 3001 (Miletos); SNG Cop -, VF, deeply toned, weight 0.158 g, maximum diameter 5.4 mm, die axis 0o, Mylasa (Milas, Turkey) mint, c. 420 - 390 B.C.; obverse forepart of lion right, head turned back left; reverse bird standing left within incuse square; ex CNG e-auction 459 (8 Jan 2020), lot 268; ex Asher D. Atchick Collection; ex CNG e-sale 1 (4 Sep 2000), lot 60380; $90.00 (€82.80)
Kentoripai, Sicily, c. 211 - 190 B.C.
Kentoripai was an iron age Sikel town that maintained its culture and language long after much of Sicily had become Hellenized. In 414 B.C., the town allied with Athens to help defeat a Syracusan inland expedition. In 396, Kentoripai made a treaty with Syracuse. In 344, Timoleon defeated Nikodemos, the ruler of Kentoripai and annexed the city and its territory. Kentoripai was one of the first cities in Sicily to make a treaty with Rome. The city was rewarded for its loyalty and under Roman protection it became one of the most important cities in Roman Sicily.GI93441. Bronze hexas, Calciati III p. 175, 7; BMC Sicily p. 56, 13; SNG ANS 1323; SNG Cop 216; SNG Munchen 517; HGC 2 637 (R1), aVF, well centered on a broad flan, green patina with red copper areas, porous, small edge cracks, weight 4.435 g, maximum diameter 17.0 mm, die axis 0o, Kentoripai mint, c. 211 - 190 B.C.; obverse draped bust of Demeter right, wreathed in grain, wearing earring and necklace, stalk of grain behind; reverse plow right, bird on the share, two pellets left, KENTO/PIΠINΩN in two lines, starting above, ending below, linear border; from the Errett Bishop Collection; scarce; $70.00 (€64.40)
Ionia, c. 600 - 550 B.C.
In Greek mythology, the Sirens were dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. In early Greek art, Sirens were represented as birds with large women's heads, bird feathers, and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps. Later Sirens were sometimes depicted as beautiful women, whose bodies, not only their voices, were seductive.SH84464. Electrum hemihekte, Unpublished in major references; Naville auction VII (1924), Bement Collection, lot 1435; CNG, Triton XI (8 Jan 2008), lot 253, aEF, tight flan, earthen deposits, weight 1.367 g, maximum diameter 8.8 mm, Ionia, uncertain mint, c. 600 - 550 B.C.; obverse siren standing left; reverse incuse square punch; ex Numismatica Ars Classica, auction 92, part 2 (24 May 2016), lot 1476; this type is not published in the major references but many examples are known from auctions; rare; SOLD