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Home ▸ Catalog ▸ |Greek Coins| ▸ |Geographic - All Periods| ▸ |Anatolia| ▸ |Phrygia||View Options:   | | | Phrygia lies in western central Anatolia (Asia Minor) between Bithynia, Mysia, Lydia, Pisidia, and Galatia. The cities were found in the valleys and high plains between the many high mountains of the land. The native Phrygians, whose inscriptions have not yet been deciphered, fell under Lydian, then Persian, then Macedonian rule. Greek and Macedonian settlers were planted in Phrygia by the Seleucids and Attalids in a mutual rivalry, but northern Phrygia was overrun by Celts (eventually it would become Galatia). After the defeat of Antiochus at Magnesia, Phrygia was assigned to the kingdom of Pergamum in 188 B.C., after which it became intensely Hellenized and first struck coins. Rome took control, along with the rest of the Pergamene kingdom, in 133 B.C. |
Eumenia, Phrygia was founded by Attalus II Philadelphus (159 - 138 B.C.) at the source of the Cludrus, near the Glaucus, and named after his brother Eumenes. Numerous inscriptions and many coins remain to show that Eumenia was an important and prosperous city under Roman rule. As early as the third century its population was in great part Christian, and it seems to have suffered much during the persecution of Diocletian. The remains of Eumenia are located in Denizli Province, Turkey on the shore of Lake Isikli near Civril.RP97255. Bronze AE 23, RPC Online VIII U20608 (8 spec., 2 var.); BMC Phrygia p. 214, 24; Lindgren III 583; SNG Cop 389 var. (leg. from upper r.); SNGvA 3586 var. (same), VF, green patina, rough areas, scattered porosity, weight 7.002 g, maximum diameter 23.0 mm, die axis 180o, Eumeneia (near Civril, Turkey) mint, reign of Philip I, c. 244 - 249 A.D.; obverse •IEPA• CVNKΛHTOC (clockwise from the lower left), bare-headed, draped bust of the Senate right; reverse EVMENEΩ-N AXAIΩN, cult image of Artemis Ephesia standing facing, wearing kalathos and veil, with arm supports, between two stags standing facing outward with heads turned back towards the goddess; ex Savoca Numismatik, silver auction 82 (26 Jul 2020), lot 247; this coin is the primary plate coin for the type in RPC Online VIII; rare;
Cotiaeum, Phrygia, c. 235 - 238 A.D. Diogenes, Archon
The image of Demos, the personification of the People, was used on ancient coinage as early as the 5th century B.C. In Roman times, many towns under Roman domination struck pseudo-autonomous coinage depicting either the bust or head of Demos, or showed him standing with the Emperor, Boule (the city council), or the Demos of another city.RP97257. Bronze diassarion, SNG Cop 318 - 319; BMC Phrygia p. 162, 20, SNGvA 3776, SNG Righetti 1165, Kurth Demos 398, Martin Demos 16, VF, well centered on a broad flan, nice dark green patina, light earthen deposits, light marks, some die wear, weight 7.915 g, maximum diameter 25.8 mm, die axis 0o, Cotiaeum (Kütahya, Turkey) mint, time of Valerian I - Gallienus, c. 235 - 238 A.D.; obverse ∆HMOC (Demos) KOTIAEΩN, diademed bust of the Demos to right, slight drapery over far shoulder; reverse EΠI ∆IOΓENOVC ∆IONVCIOV (struck under Diogenes, son of Dionysios), Zeus seated left on a low backless throne, nude to the waist, himation around hips and legs, eagle in extended right hand, long scepter vertical behind in left hand, A-PX (archon - Diogenes' title) divided across fields, KOTIAEΩN in exergue; rare;
Apameia, Phrygia, c. 88 - 40 B.C.
While playing the flute Athena saw her reflection in the water and disturbed by how her cheeks looked, puffed up while playing, threw away the instrument in disgust. The satyr Marsyas picked up the flute and since it had once been inspired by the breath of a goddess, it played beautifully on its own accord. Elated by his success, Marsyas challenged Apollo to a musical contest. For the prize, the victor could do what he pleased with the vanquished. The Muses were the umpires. Apollo played the cithara and Marsyas the flute. Only after Apollo added his voice to the music of his lyre was the contest decided in his favor. As a just punishment for the presumption of Marsyas, Apollo bound him to an evergreen tree and flayed him alive. His blood was the source of the river Marsyas, and Apollo hung up his skin, like a wine bag, in the cave out of which that river flows.GB97286. Bronze AE 16, BMC Phrygia p. 77, 47; SNG Cop 191; SNGvA 3472; SNG Tübingen 3973; HGC 7 674; SNG Munchen -, gF, green patina, porosity, corrosion, weight 4.413 g, maximum diameter 16.3 mm, die axis 0o, Phrygia, Apameia (Dinar, Turkey) mint, c. 88 - 40 B.C.; obverse turreted head of Artemis right, bow and quiver on shoulder behind; reverse satyr Marsyas walking right on a meander pattern, nude but for nebris (skin of a fawn) tied on his neck and flying behind, playing Athena's double flute, AΠAMEΩN downward on right, APIΣT / KHΦIΣ (Aristo... and Kephis...) magistrates' names in two downward lines on left;
Claudius, 25 January 41 - 13 October 54 A.D., Aizanis, Phrygia
Aizanis (Aezani, Aizanoi) was an important political and economic center in Roman times. Surviving remains from the period include a well-preserved Temple of Zeus, an unusual combined theater-stadium complex, and a macellum inscribed with the Price Edict of Diocletian.RP97510. Bronze AE 20, RPC I 3088; BMC Phrygia p. 34, 85; SNG Cop 83; vA Aizanoi 40; McClean 8744; Lindgren-Kovacs 872, F, rough, corrosion, tight flan, rev. off center, weight 3.662 g, maximum diameter 19.8 mm, die axis 0o, Aizanis (Cavdarhisar, Turkey) mint, magistrate Klaudios Hierax; obverse AIZANITAI − KΛAY∆ION KAICKAPA, laureate head right; reverse EΠI KΛAY∆I-OY - IEPAKOC, Zeus of Aezanis standing facing, head left, eagle in extended right hand, long scepter vertical behind in left hand;
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