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Gallienus, August 253 - September 268 A.D.
| Hercules is depicted in the same pose as the Farnese Hercules, a massive marble sculpture, which depicts a muscular yet weary Hercules leaning on his club, which has his lion-skin draped over it. He has just performed the last of The Twelve Labors, which is suggested by the apples of the Hesperides he holds behind his back. The Farnese Hercules is probably an enlarged copy made in the early third century A.D., signed by Glykon, from an original by Lysippos that would have been made in the fourth century B.C. The copy was made for the Baths of Caracalla in Rome (dedicated in 216 A.D.), where it was recovered in 1546. Today it is in Naples National Archaeological Museum. The statue was well-liked by the Romans, and copies have been found in many Roman palaces and gymnasiums. It is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the human imagination. |  |
RA94213. Billon antoninianus, Göbl MIR 1616e, RSC IV 1320a, RIC V-1 S673, Hunter IV S192, SRCV III 10415, Choice EF, near full silvering, well centered on a broad flan, end of obverse legend not full struck, Antioch (Antakya, Turkey) mint, weight 4.400g, maximum diameter 21.7mm, die axis 180o, 263 A.D.; obverse GALLIENVS P F AVG, radiate and cuirassed bust right, from the front; reverse VIRTVS AVGVSTI (to the valor of the Emperor), Hercules standing right, right hand behind back (presumably holding the apples of the Hesperides), left hand resting on a club, club draped with Nemean Lion's skin and set on a rock, star upper right; SOLD
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