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Hercules is depicted in the same pose as the Farnese Hercules, a massive marble sculpture, which depicts a muscular yet weary Hercules leaning on his club, which has his lion-skin draped over it. He has just performed the last of The Twelve Labors, which is suggested by the apples of the Hesperides he holds behind his back. The Farnese Hercules is probably an enlarged copy made in the early third century A.D., signed by Glykon, from an original by Lysippos that would have been made in the fourth century B.C. The copy was made for the Baths of Caracalla in Rome (dedicated in 216 A.D.), where it was recovered in 1546. Today it is in Naples National Archaeological Museum. The statue was well-liked by the Romans, and copies have been found in many Roman palaces and gymnasiums. It is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the human imagination.
RL91319. Billon follis, cf. Cohen VII 59 (obv. legend), RIC VI 68 (Maximinus II), SRCV IV 15200 (Antioch); references list this rev. for Licinius only at Antioch, Choice EF, excellent centering and strike, superb style, highlighting patina, light marks, scattered minor porosity, 4th officina, Nicomedia mint, weight 5.020g, maximum diameter 22.2mm, die axis 0o, 313 - 317 A.D.; obverse IMP C VAL LICIN LICINIVS P F AVG, laureate head right; reverse HERCVLI VICTORI, Hercules leaning right on club, on top of which are lion skins, ∆ left, SMN in exergue; although unpublished in references examined by Forum we know of eight other specimens; rare; $400.00
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