Yes, I was waiting and watching to see whether any certainty, even though for an outstanding
mint like
Antioch and for a
king whose tetradrachms are generally of very high
quality, without unkind comparison with one that pretty surely is legit, would be reached. Mine is not of the very highest
quality, but the dies are
very good. The eye of the
king on a
Seleucid tet is almost always beautifully carved (though not quite at the level of that Athenian decadrachm that
CNG is displaying: that is not merely breathtaking but actually deeply moving in its beauty). Form the habit of looking at the hair (do you feel how it grows?) and the continuity, coherence of forms (not merely features about where they ought to be). Things like that
gorgoneion in profile on Athena's
shield also must look as if the artist
knew what was intended (so you, too, must know what a classical
gorgoneion looks like in profile). The reason I referred you to the
Freeman &
Sear 13 list was that it showed a variety of mints. Most of them aren't as sound formally as the
Antioch one, but they'll pass the test. If you don't have a
good digital camera, get a 10X loupe to study with. I'm sorry that your coin doesn't pass muster, IMO. If you like
Seleucid portraits, most libraries have that picture book by
Davis and
Kraay. Borrow it and enjoy the excellent photos.
Pat L.
P.S. I just added, above, with the coin, the kind of
Medusa in question, though I didn't find the pure profile. You can see how, on the
good coin, though the
gorgoneion is the size of a tetartemorion, it captures the feeling of that
Medusa. At least one outstanding scholar places the original of that
Medusa (in the Glyptothek,
Munich) on the
shield of a famous Athenian
Athena (the Velletri
type) of about 420 BCE. By the way, these coins, with such a
gorgoneion on the
shield, tend to refute the idea that the marble copy in
Munich isn't really classical, as some have claimed. I agree with Prof. Harrison that it is late 5th century, though the copy of course is Imperial period.