Brass because it is an AE 25 as
Curtis said issued by Quintilian late in Caracalla's reign at
Marcianopolis. Almost all the coins over about 18mm there, whenever you can see under the
patina, are a yellow
alloy, whereas the little ones, 15-18 mm, are bright
red metal (that is,
red salmon color) and therefore fairly pure copper. All of them look and feel different from most of the bronzes of
Asia Minor, of which as many as have been tested are bronze, with tin and sometimes some lead in the
alloy (just like an ancient bronze statue, though not necessarily exactly the same percentages). The yellow
alloy, when
good, is what at
Rome we call
orichalcum, that is, as much as 20% zinc and almost all the rest copper (there are always traces of other metallic elements in ancient alloys, but by traces one means fractions of 1%). Because after about
Hadrian the alloys are rather more irregular in
Rome, we always do call all of them bronzes (though the British Museum Occasional Paper 120 reports that most
LRBC are practically just copper, though unequally pure). It is remarkable how golden
good coin brass is; it is as golden as newly cleaned
church brass (lecterns, candlesticks, and the like); it is lovely stuff. That was the color of a brand-new
sestertius or
dupondius, and the AE 25
Caracalla in this
thread, when photographed lying on top of a pile of semi-cleaned small coins, looked just that way. The Balkan coins of about 23 to 30 mm
diameter look and feel more like real
orichalcum quite a
bit later than the
Rome ones do. I am
still seeking a non-destructive way to assay them and searching through archaeometry abstracts for any bibliography or other new scholarship on Balkan brass.
Caley didn't have so many of these coins.
Patricia Lawrence