A silver ‘Sponsian’ is
plated in an 1886 Adolph Hess
auction (lot 161):
https://archive.org/details/gri_33125010660690/page/6/mode/2up?q=Sponsiani Hess (edit; actually ‘P. Joseph’) thought the piece may be genuine and gives an interesting commentary. It appears though the paying public didn’t agree and the lot was returned?
Below a comparison of the gold Sponsian piece from Brukenthal with the silver Hess lot.
Online English translation of the
German lot description:
“Sponsian.
IMP SPONSIANI
head r. with Zackeukrone. RV. C
AVG (
Caius Augurinus). Two
men on either
side of a pillar on which a statue stands. AR Similar to C Bd. IV., 8. 231, No. 1 described piece in gold of the
Vienna Cabinet. S.GE.
This piece has not yet been found in silver, and Sponsian is only known by the golden coin in
Vienna. Coins of such extraordinary
rarity as these are always in doubt and these would never be completely lifted even by the guarantee of the expert. Therefore, I just want to discuss the pros and
cons and express my point of view. The piece is
cast, the casting pin is clearly visible, since it is only slightly removed. The edge is not at right angles to the picture surface, but is pointed, as if the two shapes
had not completely closed on the sides facing each other, but
still left some space.
As a rule, it is considered that
cast silver coins of the
Romans from the time in question are unworthy. I am convinced of the opposite test and consider this piece to be worthy. A forger would have tried to make
his work as similar as possible to the known genuine coins, so carefully removed the casting pin and also made the edge more smooth. The model of the modern counterfeiter should have been the drawing: with
Cohen; however, our piece does not agree with this so completely that an imitation is to be thought of: it seems to me to have the
Roman drawing
style to a higher degree than
Cohen's illustration, although the differences are unlikely to be describable. If I now refer to the well-known Trier find of clay forms from
terra sigillata, the key to determining the method of production of our
denarius could probably be given. I think of the course of the matter like this: when you were in Transylvania — there our silver
denarius was found like the gold ones of the
Vienna Cabinet, by Dr. Missong was purchased and then transferred to the
collection of Herım Theodor
Rohde — whom Sponsian, probably the leader of an army, proclaimed emperor, they did not immediately have the necessary material or time to cut stamps; they made molds from
terra sigillata and poured silver into them. Our piece looks as if it was made in a slightly bent form during drying or firing. An old forger would have the most common coins. and low-grade silver is used or a piece of base metal is only surrounded with it. A modern forger would have
had to use either
Cohen's drawing - and this is untrue according to the above — or the golden copy of the
Vienna Cabinet, and the latter is probably the least acceptable. It therefore seems to me that there is no reason at all to consider our silver
denarius to be
fake. But no one could give an unconditional guarantee.”