Better picture showing the "Apparently (a) unique and unpublished type."
What is exactly wrong with the fabric? (Is it a machine pressed fake?)
With best regards
The
fabric is perhaps ok for some ancient coin
types, but not for this series (
RRC 463,
Cordia) which were struck on dumpy thick flans that were clearly concave on the
reverse. Genuine coins would thus not have flat surfaces, and would not have edge cracks that look like these
fakes. There are many stylistic problems, of which one is obvious - the interface between the
jugate heads on the
forgeries is a channel or dip, with the behind-head fading out; on genuine coins this does not happen and the front-head builds straight on top of the behind-head. The lettering is also wrong; on genuine coins the words MN.CORDIVS do not run in parallel with the dotted edge but are a more vertical, gentle curve. Note also how
Venus leans forward on the genuine coins, and the same forward-leaning
Venus type is seen on all the coins of
Julius Caesar, so it was very deliberate. And
cupid should be attached to
Venus, not leaping from her back. It's totally wrong, and many specific stylistic points apply to other coin
types of this era, for example how the lettering is laid out.
I said, "
style and
fabric are totally wrong for the issue", and these were some of the points I noticed. To recognise these points, it's probably necessary to know genuine coins of the issue or period. I show a couple of such genuine coins below. I wouldn't expect an
auction house staff member to have these points by memory in
his head, but I'd expect someone, coming across such an unusual piece, to go look at some genuine coins in order to check for stylistic similarities and differences. Then the combination of impossible
type with wrong
style and
fabric should raise a lot of
red flags.