The Age of Gallienus
Ancient Coin Collecting 101
Ancient Coin Prices 101
Ancient Coin Dates
Ancient Coin Lesson Plans
Ancient Coins & Modern Fakes
Ancient Oil Lamps
Ancient Wages and Prices
Ancient Weights and Scales
Anonymous Class A Folles
Armenian Numismatics Page
A Cabinet of Greek Coins
Caesarean and Actian Eras
Campgates of Constantine
A Case of Counterfeits
Byzantine Christian Themes
Coins of Pontius Pilate
Conditions of Manufacture
Corinth Coins and Cults
Countermarked in Late Antiquity
Denarii of Otho
Die Alignment 101
Dictionary of Roman Coins
Doug Smith's Ancient Coins
Edict on Prices
ERIC - Rarity Tables
The Evolving Ancient Coin Market
Facing Portrait of Augustus
Fel Temp Reparatio
Fertility Pregnancy and Childbirth
Friend or Foe
The Gallic Empire
Greek Coin Denominations
Greek Mythology Link
Greek Numismatic Dictionary
Hellenistic Names & their Meanings
Helvetica's ID Help Page
The Hexastyle Temple of Caligula
Identifying Ancient Metal Arrowheads
Illustrated Ancient Coin Glossary
Important Collection Auctions
Islamic Rulers and Dynasties
Julian II: The Beard and the Bull
People in the Bible Who Issued Coins
Imperial Mints of Philip the Arab
Later Roman Coinage
Library of Ancient Coinage
Life in Ancient Rome
List of Kings of Judea
Maps of the Ancient World
Museum Collections Available Online
The [Not] Cuirassed Elephant
Not in RIC
Numismatic Excellence Award
Pi-Style Athens Tetradrachms
Pricing and Grading Roman Coins
Reading Judean Coins
Representations of Alexander the Great
Roman Coin Attribution 101
Rome and China
Satyrs and Nymphs
The Sign that Changed the World
Silver Content of Parthian Drachms
Star of Bethlehem Coins
Sylloge Nummorum Graecorum
Taras Drachms with Owl Left
The Temple Tax
The Temple Tax Hoard
Travels of Paul
Tribute Penny Debate Continued (2015)
Tribute Penny Debate Revisited (2006)
Uncleaned Ancient Coins 101
What I Like About Ancient Coins
Who was Trajan Decius
by Jim Phelps
Victorious Venus. These coins exhibit a single scene from a Greek legend which, but the time these coins were produced, is already well over 1000 years old. Given the number of emperors and empresses who minted coins with this particular reverse design, we must guess that this was a representation of a famous statue, but as yet I've been unable to find mention of one.
At the wedding of King Peleus and the sea-nymph Thetis all of the gods were in attendance, with one notable exception. Eris, the goddess of Strife, had not been invited. Enraged at being excluded and true to her nature, she caused discord. The goddess flung a golden apple among the guests with the inscription "For the fairest." Three goddesses laid claim to this - Hera (Juno), Athena (Diana), and Aphrodite (Venus).
The three asked for father Zeus to judge between them, but wisely he declined, knowing that there was no way to win. He ordered Hermes to go to the shepherd Paris on Mount Ida to judge. King Priam of Troy had been warned that his son would some day cause the ruin of his country, so he had sent him away. The son, Paris, was living with the nymph Oenone at the time of the Judgement.
Since it is impossible for a mortal to judge the perfect beauty of a goddess, each came offering him gifts appropriate to her domain. Hera offered dominion over all lands and great riches. Athena offered victory in battle, with Paris leading the Trojans to victory against the Mycenaean Greeks. Aphrodite offered him the love of the most beautiful woman. Oenone wisely knew that any decision would be disastrous, but advised Paris to choose Athena. To the ruin of all, he chose the gifts of Aphrodite and offered her the apple.
The most beautiful woman in the world was Helen, wife of King Menelaus of Sparta. Paris went to Greece and stayed in the hall of Menelaus. Helen instantly fell in love with him and they fled to Troy together. Not only had he stolen another man's wife, but he had also broken the sacred laws of hospitality. King Menelaus and his allies immediately declared war on Troy, the legendary cause of the Trojan War immortalized by the Homeric Poems, The Iliad and The Odyssey.
Paris does not fare well in the war. After killing Achilles he is wounded by an arrow. He calls on Oenone, the nymph he had spurned to heal him but she refuses and allows him to die. She later kills herself. Helen is reunited with Menelaus at the end of the war and returns to Sparta. The Odyssey revisits the home of Menelaus years later, as Odysseus enjoys the hospitality of the king and queen.
The legend can be possibly be dated by observing the goddesses included. Both Hera and Aphrodite seem to have been Minoan goddesses, but Athena is a later arrival in Greece having been introduced by the Mycenaean culture. The original depictions of the legend on early Greek pottery show the three goddesses robed, offering gifts to Paris. It was through later artists that the legend seemed to devolve into a beauty contest, with the three shown nude. Since a mortal would be unable to judge the perfect beauty of a goddess this method of display is illogical, yet reflects the art of the times. The fact that Artemis is not included in the original depictions of the legend can be used to date the popular version of the legend. She was of Anatolian origin and was a minor deity in the Greek pantheon early on, but she is later included by Homer in a brief mention of the tale in book 20 of The Odyssey.
Obv: T CAESAR IMP VESPASIANVS - Laureate bust right.
Rev: TR POT VIII COS VII - Venus standing half-right (facing away) leaning on a column, naked to waist, holding a helmet and a transverse spear.
This example minted 66-67, though other years are known.
Van Meter 34, SRCV -, RIC II 205d
Obv: IVLIA DOMNA AVG - Draped bust right.
Rev: VENERI VICTR - Venus standing half-right (facing away), naked to waist, holding an apple and a palm frond over her left shoulder, resting her left elbow on a column.
Issued 193-196, right at the beginning of her husband Septimius Severus' reign by the mint of Rome. Note the Emesa mint example which shows the less-common obverse legend of "IVLA..."
Van Meter 49, SRCV -, RSC III 194, RIC IV 536
Mint of Rome:
Mint of Emesa:
AE or base AR Antoninianus
Obv: SALONINA AVG - Draped bust right wearing a diadem, before crescent.
Rev: VENVS VICTRIX - Venus standing half-right (facing away), holding an apple (or a helmet, in some references), a palm frond crossing in front of her, resting her left elbow on a column.
For Salonina, this type seems to have only been minted in Lugdunum, and only during the joint reign period of 253-260.
Van Meter -, SRCV -, RSC IV 134, RIC V 8 sim
The following catalogue references are used for the coins on this page:
Van Meter - "The Handbook of Roman Imperial Coins" by David Van Meter (1991) - My favorite general reference.
SRCV - "Roman Coins and Their Values" - by David Sear (1988)
RSC III - "Roman Silver Coins" Part III - by H.A. Seaby and David R. Sear (1982)
RSC IV - "Roman Silver Coins" Part IV - by H.A. Seaby and David R. Sear (1982)
RIC IV - "Roman Imperial Coinage" Volume IV, part 1 - by Mattingly and Sydenham (1936)
RIC V - "Roman Imperial Coinage" Volume 5, part 1 - by Mattingly and Sydenham (1936)
|Please add updates or make corrections to the NumisWiki text version as appropriate.|
- Venus with face of Faustina Junior standing to left, holding a small Victory and a spear resting on a helmet; on the shield Romulus and Remus suckled by a wolf. Obv: FAVSTINA AVGVSTA, bust of Faustina Junior to right; gold. There are also large brass coins of similar type, but representing Venus herself, and sometimes on the shield Castor and Pollux. See VENERI VICTRICI S C.
- Venus standing to left, holding Victory and leaning on a shield. Obv: LVCILLA AVGVSTA, bust of Licilla to right; silver and bronze.
- Venus standing to left, leaning against a column, and holding a helmet and a sceptre. Obv: CRISPINA AVGVSTA, bust of Crispina to right; gold.
- Venus seated to left, holding a statuette and a spear. Obv: CRISPINA AVGVSTA, bust of Crispna to right; silver.
- Venus standing to left, holding a small Victory and a spear, and leaning on a shield placed on a helmet. Obv: ANTONINVS PIVS AVG GERM, laureate or radiate bust of Caracalla to right, with paludamentum and cuirass; gold and silver, bronze AE 1 with obv. legend M AVREL ANTONINVS, etc.
- Venus standing to left, holding helmet and sceptre, and leaning on a shield; at her feet on either side a seated captive. Caracalla; silver.
- Venus standing to left, holding an apple and a palm, and leaning on a shield, before her a Cupid standing holding a helmet. Obv: PLAVTILLA AVGVSTA, bust of Plautilla to right; gold, silver, and bronze.
- Venus seated to left, holding globe and sceptre. Obv: IVLIA PAVLA AVG, bust of Julia Paula to right; silver.
- Venus standing to left, holding a sceptre and helmet; at her feet a shield. Obv: IVLIA MAMAEA AVG, diademed bust of Julia Mamaea to right; gold and bronze.
- Venus standing to left, holding a helmet and a sceptre, and leaning on a shield. Obv: IMP GORDIANVS PIVS FEL AVG, bust of Gordian III to right; gold and silver. A similar type may be found on the coins of Valerian I, billon and bronze; of Gallienus, billon; of Salonina, billon; and of Magnia Urbica, bronze.
- Venus standing to right, holding palm and helmet, and leaning against a column. Obv: SALONINA AVG, diademed bust of Salonina to right; gold, and billon bust with crescent.
- Venus standing to right, holding an apple and a palm, and leaning on s shield. Salonina; billon.
- Venus standing to left, holding a helmet and a spear. Salonina; gold.