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Augustus to Clodius Albinus


4 files, last one added on May 18, 2013

Septimius Severus to Valerian I


1 files, last one added on Sep 25, 2009

Gallienus to Allectus


2 files, last one added on Dec 27, 2012

Galerius to Jovian


1 files, last one added on Dec 22, 2009

Family of Constantine


3 files, last one added on Dec 26, 2012

Valentinian I to Romulus Augustus (Western Empire)


1 files, last one added on Dec 23, 2009

Valens to Zeno (Eastern Empire)


3 files, last one added on Feb 20, 2011

Other Coins


7 files, last one added on Jan 01, 2013

SOLD items


87 files, last one added on Nov 15, 2013



31 files, last one added on Jun 05, 2013

10 albums on 1 page(s)

Last additions - Noah's Gallery
*SOLD*40 viewsBar Kokhba Revolt

Attribution: TJC 292., Hendin 1437 (prev. 736). Mildenberg 125; Palestina
Date: assumed AD 134-135
Obv: 7-branched palm tree, two clusters of fruit beneath; (ŠM'WN) beneath in 2 lines
Rev: Trifoliate vine leaf;(RWT YRWŠLM) around; Undated, assumed year 3 = AD 134-135
Size: 22.8 mm
Weight: 9.3 grams
NoahNov 15, 2013
*SOLD*35 viewsNerva AE/As

Attribution: RIC 77, Cohen 7, BMC 127
Date: AD 96-98
Obverse: IMP NERVA CAES AVG PM TRP COS III P P, laureate head r.
Reverse: AEQVITAS AVGVST, Aequitas stg. facing, head l., scales in r. hand, cornucopiae in l. hand, S-C across fields
Size: 25.8 mm
Weight: 9.4 grams
NoahNov 15, 2013
*SOLD*25 viewsCrispus AE3

Attribution: RIC 201, S.3924v, Siscia
Date: AD 317-326
Obverse: IVL CRISPVS NOB C, laureate, draped, and cuirassed bust r.
Reverse: PROVIDENTIAE CAESS, camp gate surmounted by two turrets,
* above, BSIS in exergue
Size: 18.7 mm
NoahNov 15, 2013
*SOLD*35 viewsAshoka Maurya AR Karshapana

Attribution: G/H Ser. 1Vd (reverse 416), BMC III-a-5/30
Date: 269-232 BC
Obverse: Punch Marks of sun, six-armed symbol, dog, Brahma bull, and elephant randomly punched on the flan
Reverse: Punch Marks of drum, taurine, fish, and unknown randomly punched on the flan
Size: 20 mm
NoahJun 15, 2013
1660 Roman Woodcut Prints87 viewsDate: ca. AD 1660, Anonymous
Size: 16 x 10.7 cm

This is an leaf from a book on Rome from circa AD 1660. It has hand colored images of various Roman architecture (including the Colosseum). It has rough edges and some minor age toning, but overall the pictures are intact, brightly colored, and beautifully preserved. This book was published during the reign of Leopold I, Holy Roman Emperor. In the seventeenth century, the city of Rome became the consummate statement of Catholic majesty and triumph expressed in all the arts. Baroque architects, artists, and urban planners so magnified and invigorated the classical and ecclesiastical traditions of the city that it became for centuries after the acknowledged capital of the European art world, not only a focus for tourists and artists but also a watershed of inspiration throughout the Western world.
3 commentsNoahJun 05, 2013
1639 Receipt from Spain129 viewsDate: AD 1639, personal receipt, scarce
This is an old receipt dated AD 1639 for payment in the amount of 66 Ducados & ½ of vellón. It is from Spain during the reign of Philip IV (AD 1621-1665).

During the 17th century the power of Spain declined sharply and parts of its great empire broke away. The Dutch won a great naval victory at the Battle of the Downs in AD 1639. Spain finally recognized Dutch independence in 1648. In 1640 Portugal rebelled against Spanish rule. Spain formally recognized Portuguese independence in 1668. Meanwhile in 1635 a war began between France and Spain. In 1643 a Spanish army tried to invade France but was utterly defeated. Then in 1655 England joined France against Spain. Eventually by the Treaty of the Pyrenees in 1659 Spain was forced to cede territory to France. In the late 17th century Spanish power continued to decline. At the beginning of the century Spain was able to dominate Europe. By the end of the century it had ceased to be a great power.
2 commentsNoahJun 05, 2013
1545 Leonhard Fuchs Botanical Woodcut Prints159 viewsDate: AD 1545, Basel, Isingrin, rare
Size: 6.3 x 3.5 inches

These are two woodcut prints with hand colored sketches and hand-written notes. This is original from the AD 1545 Octavo edition. Issued in Läbliche abbildung und contrafaytung aller kreüter so ... inn dem ersten theyl seins neüwen kreüterbuchs hat begriffen, in ein kleinere form auff das allerartlichste gezogen ... Basel, Isingrin 1545.

Fuch’s work and its beautiful illustrations effected a revolution in the natural sciences, comparable to that of Copernicus in astronomy and Vesalius in anatomy, both of which were published the following year, AD 1543. To effect this reform accurate illustration and identification was the first requirement and it was to this task that Fuchs addressed himself. Fuchs employed the best artists then available in Basle: Albrecht Meyer did the drawings, Heinrich Füllmaurer transferred them to the woodblocks, and they were cut by Veit Rudolph Speckle. All three are depicted in the book, the first time that book illustrators are themselves portrayed and named. These illustrations set a new standard for botanical depiction and were some of the most influential in botanical history, being copied for innumerable works well into the 18th century. Some 40 species are illustrated for the first time, including several American plants, such as maize and the pumpkin.
‘The coloring of many copies of Fuchs ... is authentic, in that they were issued by the publisher in a colored state based upon the artist’s original colored drawings made from living specimens’ (Blunt).
1 commentsNoahJun 05, 2013
Martin Luther Wittenberg Bible Woodcut Leaf81 viewsDate: AD 1549, Wittenberg, H. Lufft, rare
Size: 12x7.5 inches

These are two woodblock prints with illuminated letters and depict passages from the book of Jeremiah. This superb leaf comes from: Biblia Das ist – Die gantze Heilige, Shrifft – Deudsch. Mart. Luther (Ubers), Wittenberg, H. Lufft, AD 1549.
This was printed about three years after his death and demonstrates his skills as he translated the Bible from Greek and Latin into German. Hans Lufft (1495–1584) was a German printer and publisher, commonly called "the Bible Printer," because in 1534 he printed at Wittenberg the first complete edition of Luther's Bible, in two quarto volumes with illuminations in gold and colors by Lucas Cranach. Lufft printed in the 40 years following more than 100,000 copies of the German Bible. He also printed most of the other works of Luther.
1 commentsNoahJun 04, 2013
E74 viewsNero AE As

Attribution: RIC I 313, Rome
Date: AD 65
Obverse: NERO CAESAR AVG GERM IMP laureate head l.
Reverse: Victory advancing l. holding shield with “ S P Q R” inscribed, S-C in fields
Size: 26 mm
Weight: 12.3 grams
(Bust of Nero: Museo Nazionale, Rome)

“He was about the average height, his body marked with spots and malodorous, his hair light blond…His health was good for though indulging in every kind of riotous excess, he was ill but three times in all during the fourteen years of his reign.” –Seutonius Life of Nero LI

Upon the death of Claudius in AD 54, 16 year-old Nero was accepted as the next emperor. At first, he pampered the senate, made financial promises to the praetorian guard, and generally appeared to be headed in the direction of the superior reign of the divine Augustus. Problems soon became evident upon the poisoning of Britannicus, Claudius’ son. The murder of Nero’s mother, Agrippina, in AD 59 was the single most notoriously sordid act of the emperor’s entire reign. Still, he was noted for numerous other disdainful exploits as well. Nero became infatuated with Poppaea, the wife of a close friend, Marcus Otho. He had Otho appointed governor of Lusitania and soon began an affair with Poppaea. His marriage to Octavia, of course, was a problem as well, so Nero had her exiled on the island of Pandateria in AD 62. There she was accused of adultery and subsequently killed not long after. Sadly, in AD 65, while throwing a temper tantrum, Nero kicked a pregnant Poppaea to death. He did remarry again, but eventually became lovers with the boy Sporus who resembled Poppaea.

“Rumour had it that he used to roam the streets after dark, visiting taverns with his friends, mugging people in the street, attacking women, and thieving from shops and stalls. He was also accused of abusing married women and freeborn boys.” – from Chronicle of the Roman Emperors by Chris Scarre (1995)

Nero’s reign is marked by a time of financial bleeding of the imperial coffers. His “projects” and excesses were so vast, that the emperor needed to find money wherever he could. One of his most heinous rampages saw him coercing wealthy citizens to will their possessions and fortunes to him prior to forcing them to commit suicide. The Great Fire of AD 64, which started in the neighborhood of the Circus Maximus and spread rapidly to 10 of Rome’s 14 regions, brought the emperor’s popularity further down as tensions reached the boiling point. This is partially due to the fact that he diverted the blame for the fire in the direction of an emerging religious “cult”, the Christians (who were persecuted unmercifully). It is said that he even tied some Christians to posts and had them tarred and lit to illuminate his parties in the royal gardens. Later several conspiracies were unraveled and quelled, but in the end, Nero pushed his luck too far. The revolts of Vindex, Rufus, and Galba were the beginning of the end for the emperor. He was abandoned by his guards and found himself alone at the palace. One of his freedmen, Phaon, led him out of the city to a villa. There Nero committed suicide by stabbing himself in the neck (although his private secretary Epaphroditus finished the job). His last words were, “What an artist the world is losing!” He died in AD 68 at age 30.
4 commentsNoahMay 18, 2013
Sumerian Cuneiform Tablet137 viewsDate: circa 3000-2500 BC
Size: 38 x 46 mm (intact)
Provenance: From the collection of a New York City professional entertainer acquired in the 1980's.

Sumerian cuneiform is the earliest known writing system. Its origins can be traced back to about 8,000 BC and it developed from the pictographs and other symbols used to represent trade goods and livestock on clay tablets. They also developed a numeral system to represent multiple instances of the same symbol rather than just inscribing them all. The symbols became stylized over time and eventually evolved into a complete writing system. The earliest texts come from the cities of Uruk and Jamdat Nasr and date back to 3,300 BC. The name cuneiform means 'wedge-shaped' and comes from the Latin cuneus (wedge). It is based on the appearance of the strokes, which were made by pressing a reed stylus into clay. This clay tablet has cuneiform on both sides and is intact. The exact Mesopotamian city-state origin and subject of cuneiform text are unknown.
7 commentsNoahMar 28, 2013
*SOLD*36 viewsAugustus Copper quadrans

Attribution: RIC I 454
Date: 5 BC
Obverse: MESSALLA APRONIVS III VIR, altar with bowl-shaped top
Reverse: SISENNA GALVS AAAFF, around large S C
Size: 16.1 mm
Weight: 3.07 grams
NoahFeb 25, 2013
*SOLD*37 viewsGalba AE As

Attribution: Tarraco mint, Rare
Date: AD 68
Obvese: SER GALBA IMP CAESAR AVG P M TR P P P, laureate head r., globe at point of bust
Reverse: DIVA AVGVSTA, Livia standing l., holding patera & scepter
NoahJan 13, 2013
Kumaragupta I AR drachm42 viewsAttribution: Altekar class I, MAC 4845-58; Kumaragupta's silver coinage has not yet been properly classified.
Date: AD 415-455
Obverse: Head of king r., traces of blundered Greek legend around
Reverse: Stylized Garuda standing facing, with wings spread, curved "platform" underneath, cluster of dots (representing the sun) above r., Brahmin legend around: Paramabhagavata rajadhiraja sri Kumaragupta Mahendraditya
Size: 13x12 mm
Weight: 2.26 grams

Kumaragupta I (Mahendraditya) was a ruler of the Gupta Empire in AD 415–455. Like his father and predecessor, Chandragupta II, Kumaragupta was an able ruler. He retained, intact, the vast empire, which extended from Bengal to Kathiawar and from the Himalayas to the Narmada. He ruled efficiently for nearly forty years. However, the last days of his reign were not good. The Gupta Empire was threatened by the rebellion of Pushyamitras of central India and invasion of the White Huns. However, Kumaragupta was successful in defeating both threats and performed Ashvamedha (horse sacrifice) to celebrate his victory.
NoahJan 01, 2013
A32 viewsGallienus Antoninianus

Attribution: RIC 207k
Date: AD 267-268
Obverse: GALLIENVS AVG; radiate bust r.
Reverse: IOVICONS AVG; goat stg. l.; stigma in exergue
Size: 17 mm
Weight: 2.5 grams

Gallienus’ coinage is perhaps best know by the issuance of his Zoo series. Each coin type depicts a mythical or real animal on the reverse as a dedication to a specific Roman deity: Diana (doe, stag, antelope/gazelle), Apollo (centaur, gryphon), Sol (Pegasus/winged horse, bull), Jupiter (goat), Liber Pater (panther/tigress), Neptune (capricorn, hippocamp), Juno (doe/elk/capreolus), Mercury (hippocamp/criocamp), Hercules (lion, boar).

“The vast majority of Zoo coins were produced at the mint of Rome, with a few rare examples coming from Siscia. Each officina produced a different coin within the series, with some producing a second, less common type also. Occasionally you'll find an animal with the "wrong" officina mark. These are fascinating, and the rarity leads us to believe that they represented mistakes, perhaps when a die engraver was transferred from one workshop to another. He gets the right animal, but the wrong officina. Or maybe one workshop was falling behind, so another was temporarily enlisted to help catch up on the quota?” – from Jim’s page on Coins of Gallienus' Zoo at
NoahDec 27, 2012
*SOLD*37 viewsElagabalus AR Denarius

Attribution: RSC 15, RCV 7505, Antioch, scarce
Date: AD 218-219
Obverse: ANTONINVS PIVS FEL AVG, laureate draped bust r.
Reverse: CONCORDIA, two standards between two legionary eagles, MILIT in exergue
Size: 18.0 mm
Weight: 3.3 grams
NoahDec 27, 2012
*SOLD*37 viewsConstantine the Great
City Commemorative (VRBS ROMA)

Attribution: RIC VI 561, Trier
Date: AD 333-335
Obverse: VRBS ROMA; helmeted and cuirassed bust l.
Reverse: She-wolf stg. l. suckling Romulus and Remus; above palm between two stars, TRP in exergue
Size: 18.6 mm
Weight: 2,03 grams
NoahDec 27, 2012

Random files - Noah's Gallery
*SOLD*23 viewsTetricus I Antoninianus

Attribution: RIC V 100, AGK 8b, Mairat 367, Cohen 95, Sear 3179; Trier, 4th emission
Date: AD 272-274
Obverse: IMP C TETRICVS PF AVG, radiate, draped, and cuirassed bust r.
Reverse: PAX AVG, Pax stg. facing, head l., holding branch and scepter
Size: 19mm
Weight: 2.24 grams
Q128 viewsMarcus Aurelius Sestertius

Attribution: RIC III 964
Date: AD 168-169
Obverse: M ANTONINVS AVG TR P XXIII, laureate head r.
Reverse: SALVTI AVG COS III, Salus stg. l. feeding snake wrapped around altar, and holding scepter, S-C across fields
Size: 30-34 mm
Weight: 25.93 grams
(Image of Marcus Aurelius courtesy Phillip Harland: Archaeological Museum, Selçuk, Turkey)

“He studied philosophy with ardor, even as a youth. For when he was twelve years old he adopted the dress and, a little later, the hardiness of a philosopher, pursuing his studies clad in a rough Greek cloak and sleeping on the ground; at his mother’s solicitation, however, he reluctantly consented to sleep on a couch strewn with skins.” – Historia Augusta Life of Marcus II.6

Marcus Aurelius assumed the role of emperor upon the death of the Deified Antoninus Pius in AD 161. He quickly made his brother, Lucius Verus, joint emperor. This partnership endured successfully until the death of Verus in AD 169. Unfortunately, Marcus’ rule was one beleaguered by warfare (i.e. the Parthian War) made worse by the plague (brought back from the war), invasion (the Germanic Quadi and Marcomanni on the Danube front), and insurrection (the revolt of Cassius, governor of Syria). Marcus sought solace in his philosophical meanderings. His writings were not bright and cheerful, because, after all, they came from a man latent with preoccupations. During another campaign against the Germanic Quadi in AD 179-180, Marcus fell ill. He had dealt with stomach and chest problems for a few years prior to this (some historians speculate it was cancer). He took the drug theriac to endure the pain. Theriac contains opium, so Marcus may have been addicted to this “medication”. He lived only one week after the inception of this final malady. He died near Sirmium on March 17, AD 180. His body was placed in the Mausoleum of Hadrian, and he was subsequently deified by the senate.

“The first rule is, to keep an untroubled spirit; for all things must bow to Nature’s law, and soon enough you must vanish into nothingness, like Hadrian and Augustus. The second is to look things in the face and know them for what they are, remembering that it is your duty to be a good man. Do without flinching what man’s nature demands; say what seems to you most just – though with courtesy, modesty, and sincerity.” – Marcus Aurelius Meditations (To Myself) VIII.5
4 commentsNoah
*SOLD*23 viewsTrebonianus Gallus AR Antoninianus

Attribution: RIC IV, Part 3-80, Antioch, scarce
Date: AD 251-253
Obverse: IMP C C VIB TREB GALLVS PF AVG, radiate and draped bust r.
Reverse: AEQVITAS AVG, Aequitas stg. l. holding cornucopia and scales
Size: 20.1 mm
*SOLD*31 viewsConstantine the Great AE3

Attribution: RIC VII 153, Nicomedia
Date: AD 328-329
Obverse: CONSTAN-TINVS AVG; head r. w/ pearl diadem
Reverse: RPVIDEN-TIAE AVGG; camp gate, two turrets, no doors, star above
Size: 18.54 mm
Weight: 3.1 grams