India, Gupta Empire, Chandragupta II, Gold Dinar, Archer Type

Gupta Empire, Chandragupta II Vikramaditya, Gold Dinar, 7.75g, Archer type

The above coin of Chandragupta II Vikramaditya is a celebration of the exquisite and sublime skills of the artist who designed the die for this coin which demonstrates why the Gupta Age is called the golden period of Indian history. This time period saw all round development in science, astronomy, poetry, sculptor, metallurgy etc and coinage was no different with original coins bearing Indian motifs introduced by the Guptas.

The above coin is more of a tribute to the skills and artistry of the die engraver than the image that the coin itself bears. In the above coin, the die cutter has managed to achieve the following objectives simultaneously:

1. The features of the King is portrayed as extremely youthful. 'Chir-Yauvana' or Eternal Youth is an elixir that mankind, and more so the Ruler, has sought since time immemorial. This coin shows how the die cutter wishes the King to be remembered amongst his subjects and for posterity as a handsome youthful King.

2. The body of the King is lithe, supple, muscular and well proportioned. This complements and brings out the relative youthfulness of the King. I can almost visualize the thoughts running in the die engravers mind as he thinks of the message to be conveyed by this coin 'Hail the King, Glory be to Him, our benevolent King, our Protector, the Strong and Valiant Chandragupta'.

3. The King exudes an aura of energy, vigour and vitality even as he stands in the 'dvibhanga' pose (head and torso inclined to the right with lower limbs in opposite direction, a common feature applied in Indian sculptor and classical dance, especially Odissi). The King appears calm, composed and serene. This is a delicate balance that has admirably been achieved by the die cutter. You can actually sense the King trying to communicate with you and about to step out of the coin to hold your hand and draw you back into time.

4. The King holding a Bow in his left arm while drawing an Arrow from his right hand only accentuates the powerful image of the King as a young, energetic warrior who is well disposed and endowed with the bodily strength to overcome his enemies and detractors. Symbolically, the bow and arrow represent the female and male energy as also love and death-wish, respectively. It is well acknowledged that a person has manifestations of both the feminine and masculine aspects that reveal themselves interchangeably. The soft features of the King together with his slender frame accentuates the feminine aspect while the weapons of war amplifies his masculinity. The die engraver has blended these two concepts perfectly.

5. The swaying 'mudra' or pose of the standing King is a feature of Gupta coins to reflect the King as divine and higher than a mere mortal as a man's body is imperfect being straight, rigid and stiff. The graceful sway is achieved by giving a curve or twist at the neck (head) and waist (out thrust hips), the Dvibhanga pose, or the neck, waist and knee, the Tribhanga pose. This is done to reflect that the King's body is aligned alike to the statues of the Gods and Goddesses at the temple with which the common man can more closely associate the King's divinity. The die cutter has achieved this admirably.

6. Similarly, the image of the Goddess on the Reverse is slim and sensual without being erotic. The Goddess holds a flower by a short stalk in her upraised left arm, a 'pasa' or noose in her right hand and sits in the yogic 'Padmasana' posture atop a Lotus. It must be remembered that these symbols on the coin are a depiction of the iconographic manifestation of the ancient Hindu philosophy. The Lotus flower blooms amidst the muck and filth of muddy swamps and marshes and symbolizes man's ability to rise, similar to the Lotus flower, from the dark depths of ignorance and gain happiness with the beauty and radiance of spiritual knowledge. The open flowers of the Lotus that blossoms and spreads out signifies the Sun, an essential life nourishing source as well as the light that destroys ignorance and illuminates wisdom. The 'pasa' (noose or lasso) signifies an attachment to worldly matters as well as the capability of the God to capture evil and (blind) ignorance.

Its a pity we do not have any details of the die engravers name in the historical records but given the finesse and fine style achieved in executing the portrayal of the King on the coin, I am certain he must have been a person held in high esteem for his die engraving skills. Perhaps he may even have been the same person who was also the chief architect of the fabulous temples built during the reign of Gupta Kings.

All in all, this is a great masterpiece of the Gupta miniature art on a Gold Coin of Chandragupta II Vikramaditya. It is my all time favourite coin simply because of the beautiful rendition of the Kings feature, body, posture and message it seeks to convey.