An Athenian Owl
| "Like taking owls to Athens" went the phrase I heard as a kid. If you asked what it meant, you were likely to be told
"Like taking coals to Newcastle." The idea was that some places had enough of a commodity that it made no sense
to bring in more. The owls in plentiful supply in 5th century BC Athens were not the feathered variety; they were silver. Throughout antiquity, Athena and her companion owl served Athens as city symbol and primary coin type. With a few exceptions, Athenian silver coins show a head of the goddess facing right on the obverse and an owl on the reverse. Style changed slowly from the globular coins of the 6th century to the sleek "New Style" coins that were made until replaced by Roman issues of the 1st century BC. What made the Athenian silver so popular and long lasting was its status as the definition of good money. The man on the street anywhere in the Greek world knew that he could trust the "owl" to contain full weight of the best silver. Athens was the strongest economic force in the Greek world. Their mines provided the Athenians with tons of fine silver so there was never a reason for them to produce bad coins. Well, almost never.
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Athens, Attica, fourree tetradrachm - c. 430 BC - 23 X 27 mm diameter, 16.5g The technology for making silver plated coins was as old as coinage itself. Few people involved in coin production would not have known how to wrap a copper core in silver foil and bond the layers with heat and the force of striking. Whether this coin was produced in the mint, on the "sly" by mint workers or by counterfeiters is similarly unclear. It is interesting that this coin weighs 16.5g which is a acceptable weight for a full silver tetradrachm. To allow for the difference in weight of silver and copper, this flan was made slightly oversize so the coin would have the correct weight. It is possible that this excessive size may have betrayed the coin to whoever decided to cut it in search of the copper core. The smaller cut below the tail that failed to break through to the core may have been an attempt by the maker of the coin to make the coin appear to have been tested and previously passed. Plated coins even exist with fake test cuts made as part of the die! The second cut across the body of the owl left no doubt that this coin was bad. The wide acceptance of these coins led the mint to be slow in updating the style of the artwork on the coins. The portrait of Athena continued to use the Archaic style "almond" eye long after popular art style had passed into the Classical period. Care was taken not to do anything to hurt the acceptance of the coins. What was good money for the Athens of old still seemed good a century later.
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(c) 1997 Doug Smith