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Home ▸ Catalog ▸ |Themes & Provenance| ▸ |Types| ▸ |Consecration||View Options:   | | | |
Juno was the chief female divinity in the Roman pantheon. She was the wife of Jupiter and a member of the Capitoline Triad. She had many different aspects, such as Juno Moneta, Juno Sospita, and Juno Lucina, but here she is depicted as Juno Regina, "Juno the Queen." Juno is usually shown holding a patera, scepter or a statuette of Athena, and is often accompanied by a peacock.RS94536. Silver denarius, RIC III AP344, RSC II 26, BMCRE IV AP345, SRCV II 4574, Hunter II 22, aVF, centered, radiating flow lines, light toning, die wear, small edge cracks, weight 3.018 g, maximum diameter 17.9 mm, die axis 0o, Rome mint, posthumous, 141 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waived and banded, drawn up at the back and piled in a round coil at top; reverse AETERNITAS, Juno standing facing, head left, raising right hand, scepter in left; from the Ray Nouri Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Antoninus Pius wrote of his wife Faustina, "I would rather live with her on Gyara [an island of exile] than without her in the palace." Sadly, Faustina died just two years into his 23 year reign. At his request, the Senate deified her, and he minted a massive series of commemorative coins in her honor.RS94547. Silver denarius, RIC III AP350a(b) (S), RSC II 34a, BMCRE IV AP291, Hunter II 1, SRCV II 4575 var. (no veil), aVF, well centered, flow lines, porous, die wear, edge split/cracks, weight 3.199 g, maximum diameter 17.9 mm, die axis 180o, Rome mint, posthumous, 143 A.D.; obverse DIVA AVG FAVSTINA, draped bust right, hair elaborately waived and banded, drawn up at the back and piled in a round coil at top; reverse AETERNITAS, Providentia (or Aeternitas) standing left, globe extended in right hand, long scepter vertical in left hand; first specimen of this veiled variant handled by FORVM, from the Ray Nouri Collection; rare variety;
Divo Valerian II, Caesar, Early 256 - 258 A.D., Consecration Issue
Valerian II was son of Gallienus and Salonina, Grandson of Valerian I and Mariniana. He was raised to the rank of Caesar upon his father's accession but died only two years later.RS93323. Silver antoninianus, Göbl MIR 911e, SRCV III 10606, RIC V-1 9 (Lugdunum), RSC IV 5, Hunter IV 7, VF, well centered on a tight flan, light toning, light cleaning scratches, struck with a worn reverse die, weight 2.676 g, maximum diameter 20.5 mm, die axis 135o, Colonia Agrippinensis (Cologne) mint, posthumous, 258 - 259 A.D.; obverse DIVO VALERIANO CAES, radiate and draped bust right, from behind; reverse CONSECRATIO, Valerian II carried into the heavens seated on eagle flying right, waiving his right hand, scepter in his left hand; from the Errett Bishop Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Providentia is the personification of the ability to foresee and to make provision for the future. This ability was considered essential for the emperor and providentia was among the embodiments of virtues that were part of the imperial cult. Cicero said that providentia, memoria (memory) and intellegentia (understanding) are the three main components of prudentia, the knowledge what is good or bad or neither.RS94557. Silver denarius, RIC III AP351, RSC II 32, BMCRE IV AP375, SRCV II 4578, Hunter II 23, VF, flow lines, porosity, reverse a little off center, edge ragged with small splits, weight 2.982 g, maximum diameter 18.7 mm, die axis 180o, Rome mint, posthumous, 147 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waived and banded with pearls, drawn up at the back and piled in a round coil at top; reverse AETERNITAS, Providentia standing slightly left, head left, globe in extended right hand, veil blown out behind head in left hand; from the Ray Nouri Collection;
Constantine the Great, Early 307 - 22 May 337 A.D.
| The ruins of Antioch on the Orontes lie near the modern city of Antakya, Turkey. Founded near the end of the 4th century B.C. by Seleucus I Nicator, one of Alexander the Great's generals, Antioch's geographic, military and economic location, particularly the spice trade, the Silk Road, the Persian Royal Road, benefited its occupants, and eventually it rivaled Alexandria as the chief city of the Near East and as the main center of Hellenistic Judaism at the end of the Second Temple period. Antioch is called "the cradle of Christianity," for the pivotal early role it played in the emergence of the faith. It was one of the four cities of the Syrian tetrapolis. Its residents are known as Antiochenes. Once a great metropolis of half a million people, it declined to insignificance during the Middle Ages because of warfare, repeated earthquakes and a change in trade routes following the Mongol conquests, which then no longer passed through Antioch from the far east. |  |
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Ceres a goddess of agriculture, grain crops, fertility and motherly relationships, was listed among the Di Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter, whose mythology was reinterpreted for Ceres in Roman art and literature.RS94539. Silver denarius, RIC III AP358, RSC II 93, BMCRE IV AP389, SRCV II 4581, Hunter II 26, F, light toning, flow lines, edge splits/cracks, reverse slightly off center, weight 3.092 g, maximum diameter 17.5 mm, die axis 180o, Rome mint, 141 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waived and banded, drawn up at the back and piled in a round coil at top; reverse AVGVSTA, Ceres standing slightly right, head right, long scepter vertical behind in right hand, two heads of grain in left hand; from the Ray Nouri Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Ceres a goddess of agriculture, grain crops, fertility and motherly relationships, was listed among the Di Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter, whose mythology was reinterpreted for Ceres in Roman art and literature.RS94554. Silver denarius, RIC III AP358, RSC II 93, BMCRE IV AP389, SRCV II 4581, gF, nice portrait, light marks, die wear, edge cracks/splits, weight 3.171 g, maximum diameter 18.3 mm, die axis 180o, Rome mint, 141 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waived and banded, drawn up at the back and piled in a round coil at top; reverse AVGVSTA, Ceres standing slightly right, long scepter vertical behind in right, two heads of grain in left; from the Ray Nouri Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Providentia is the personification of the ability to foresee and to make provision for the future. This ability was considered essential for the emperor and providentia was among the embodiments of virtues that were part of the imperial cult. Cicero said that providentia, memoria (memory) and intellegentia (understanding) are the three main components of prudentia, the knowledge what is good or bad or neither.RS94556. Silver denarius, RIC III AP351, RSC II 32, BMCRE IV AP375, SRCV II 4578, Hunter II 23, F, nice portrait for the grade, flow lines, porosity, small encrustations, light marks, edge cracks, weight 3.370 g, maximum diameter 17.9 mm, die axis 180o, Rome mint, posthumous, 147 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waived and banded with pearls, drawn up at the back and piled in a round coil at top; reverse AETERNITAS, Providentia standing slightly left, head left, globe in extended right hand, veil blown out behind head in left hand; from the Ray Nouri Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Ceres' known mythology is indistinguishable from Demeter's. Her virgin daughter Proserpina (Persephone) was abducted by Hades to be his wife in the underworld. Ceres searched for her endlessly lighting her way through the earth with torches. While Ceres (Demeter) searched, she was preoccupied with her loss and her grief. The seasons halted; living things ceased their growth, then began to die. Some say that in her anger she laid a curse on the world that caused plants to wither and die, and the land to become desolate. Faced with the extinction of all life on earth, Zeus sent his messenger Hermes to the underworld to bring Proserpina back. However, because she had eaten while in the underworld, Hades had a claim on her. Therefore, it was decreed that she would spend four months each year in the underworld. During these months Ceres grieves for her daughter's absence, withdrawing her gifts from the world, creating winter. Proserpina's return brings the spring.RS94541. Silver denarius, RIC III AP362, BMCRE IV AP421, RSC II 104, Hunter II 35, SRCV II 4584, F, light toning, centered on a tight flan, porosity/light corrosion, edge splits/cracks, weight 3.350 g, maximum diameter 18.4 mm, die axis 150o, Rome mint, posthumous, 147 - 161 A.D.; obverse DIVA FAVSTINA, draped bust right, hair elaborately waved and banded, drawn up at back and piled in a round coil at top; reverse AVGVSTA, Ceres standing facing, veiled head left, grounded long torch in right hand, raising drapery at waist with left hand; from the Ray Nouri Collection;
Faustina Sr., Augusta 25 February 138 - Early 141, Wife of Antoninus Pius
Pietas in traditional Latin usage expressed a complex, highly valued Roman virtue; a man or woman with pietas respected his or her responsibilities to the gods, family, other people and entities (such as the state), and understood his or her place in society with respect to others.RS94545. Silver denarius, RIC III AP373, RSC II 124a, BMCRE IV AP452, Hunter II -, SRCV II -, VF, well centered, light toning, coppery areas, flow lines, porosity, weight 3.241 g, maximum diameter 17.4 mm, die axis 180o, Rome mint, posthumous, 147 - 161 A.D.; obverse DIVA FAV-STINA, draped bust right, hair elaborately waived and banded, drawn up at the back and piled in a round coil at top; reverse AVGVSTA, Pietas standing half left, raising right hand, box of perfumes in left hand, lit altar left; from the Ray Nouri Collection;
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