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Todi was founded by the ancient Italic people of the Umbri, in the 8th - 7th century BC, with the name of Tutere. The name means "border," it being the city located on the frontier with the Etruscan dominions. It was conquered by the Romans in 217 BC. According to Silius Italicus, it had a double line of walls that stopped Hannibal himself after his victory at the Trasimeno. Christianity spread to Todi very early, through the efforts of St. Terentianus. Bishop St. Fortunatus became the patron saint of the city for his heroic defense of it during the Gothic siege. In Lombard times, Todi was part of the Duchy of Spoleto.SH73969. Bronze hemiobol, HN Italy 37, Campania CNAI 2, SNG Cop 75, SNG ANS 105; BMC Italy p. 39, 1, F, well centered, pitted, flan crack, weight 3.364 g, maximum diameter 18.9 mm, die axis 180o, Tuder (Todi, Italy) mint, 280 - 240 B.C.; obverse bearded head of the satyr Silenus (Seilenos) right, wearing ivy wreath; reverse Umbrian: TVTEDE (downward on left, TVT top outward, EDE top inward), eagle standing left, wings spread; rare; $400.00 (€340.00)
Macedonia, Roman Protectorate, c. 166 - 165 B.C.
Gaebler identified the Latin D on the reverse and the obversetype as a name pun for D. Junius Silanus, the Roman Praetor of Macedonia, in 142 - 141 B.C. This was a charming possibility but, based primarily on hoard evidence, MacKay (in ANSMN 14, 1968) and others have reassigned this type to the years immediately following the creation of the Roman Protectorate.GB84933. Bronze AE 21, MacKay pp. 8 - 9 & pl. III, 10; BMC Macedonia p. 14, 55; SNG Cop 1324 - 1326; AMNG III 212, TouratsoglouMacedonia 25; SNG Tub 1224, VF, nice green patina, reverse a little off center, weight 8.044 g, maximum diameter 21.3 mm, die axis 270o, uncertain Macedonian mint, c. 166 - 165 B.C.; obverse facing mask of Silenos wearing ivy wreath; reverse MAKE/∆ONΩN in two lines, Latin letter D above, all within ivy wreath; scarce; $195.00 (€165.75)
Thasos, Islands off Thrace, c. 411 - 404 B.C.
In 411 B.C., Thasos revolted from Athens and received a Lacedaemonian governor. In 407 B.C. Spartans were expelled and the Athenians readmitted. After the Battle of Aegospotami in 405 B.C., Thasos again fell under the Lacedaemonians led by Lysander who formed a decarchy there. Athens must have recovered it, for later it was a subject of dispute with Philip II of Macedonia.GA84665. Silver tritartemorion, Le RiderThasiennes 12; SNG Cop 1033, BMC Thrace 60, SNG Fitzwilliam 3665, McClean 4218, SGCV I 1756, VF, well centered, surfaces lightly etched, weight 0.393 g, maximum diameter 8.1 mm, die axis 180o, Thasos mint, c. 411 - 404 B.C.; obversehead of satyr right; reverse ΘAΣI, two dolphins swimming; $100.00 (€85.00)
Heliopolis, Coele-Syria, c. 198 A.D.
Septimius Severus conferred the Jus Italicum upon Heliopolis (Baalbek, Lebanon) in 193, for supporting him against Pescennius Niger. Prior to that Heliopolis had been part of the territory of Berytus (Beirut) on the Phoenician coast since 15 B.C. This obverse of this coin is copied from a coin of Berytus.
Marsyas found Athena's flute. Inspired by the breath of a goddess, it played beautifully. Foolishly he challenged Apollo to a musical contest. Apollo won by singing to the music of his lyre. As a just punishment for his presumption, Apollo flayed Marsyas alive. His blood was the source of the river Marsyas, and his skin was hung like a wine bag in the cave out of which that river flows. RP73451. Bronze AE 13, Sawaya 261 (D48/R100), Lindgren-Kovacs 2156, SNG Cop -, SNG Munchen -, BMC Galatia -, VF, weight 1.988 g, maximum diameter 13.2 mm, die axis 90o, Heliopolis mint, c. 198 A.D.; obverseMarsyas right, wineskin over shoulder, C - HE (ColoniaHeliopolis), border of dots; reverse COL / HEL in two lines at center within wreath, border of dots; scarce; $55.00 (€46.75)
Berytus, Phoenicia, 114 - 117 A.D.
While playing the flute Athena saw her reflection in the water and disturbed by how her cheeks looked, puffed up while playing, threw away the instrument in disgust. The satyr Marsyas picked up the flute and since it had once been inspired by the breath of a goddess, it played beautifully on its own accord. Elated by his success, Marsyas challenged Apollo to a musical contest. For the prize, the victor could do what he pleased with the vanquished. The Muses were the umpires. Apollo played the cithara and Marsyas the flute. Only after Apollo added his voice to the music of his lyre was the contest decided in his favor. As a just punishment for the presumption of Marsyas, Apollo bound him to a tree and flayed him alive. His blood was the source of the river Marsyas, and Apollo hung up his skin, like a wine bag, in the cave out of which that river flows.GB73439. Bronze AE 11, Sawaya 786 ff.; SNG Cop 89; BMC Phoenicia p. 56, 1 ff.; RPC I -, VF, weight 0.830 g, maximum diameter 11.3 mm, Berytus (Beirut, Lebanon) mint, 114 - 117 A.D.; obverseMarsyas advancing left, carrying wine skin over shoulder, CO-L divided across field; reverse forepart of galley right, BER above; $45.00 (€38.25)