|Home ▸ Catalog ▸ |Themes & Provenance| ▸ |Types| ▸ |Sculpture||View Options: | | | |
Sculpture on Ancient Coins
Many of the images of gods and goddesses on ancient coins were derived from sculptures. The coins on this page depict known sculptures or images that are clearly taken from sculpture.
|Hercules is depicted in the same pose as the Farnese Hercules, a massive marble sculpture, which depicts a muscular yet weary Hercules leaning on his club, which has his lion-skin draped over it. He has just performed the last of The Twelve Labors, which is suggested by the apples of the Hesperides he holds behind his back. The Farnese Hercules is probably an enlarged copy made in the early third century A.D., signed by Glykon, from an original by Lysippos that would have been made in the fourth century B.C. The copy was made for the Baths of Caracalla in Rome (dedicated in 216 A.D.), where it was recovered in 1546. Today it is in Naples National Archaeological Museum. The statue was well-liked by the Romans, and copies have been found in many Roman palaces and gymnasiums. It is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the human imagination.|
|Pan is depicted in the pose of the life-size marble statue known as the Barberini Faun (Drunken Satyr) in the Glyptothek in Munich. A Faun is the Roman equivalent of a Greek Satyr. The position of the right arm over the head was a classical artistic convention indicating sleep. The statue is believed to have once adorned Hadrian's Mausoleum. The historian Procopius recorded that during the siege of Rome in 537 the defenders had hurled down upon the Goths the statues adorning Hadrian's Mausoleum. When discovered, the statue was heavily damaged; the right leg, parts of both hands, and parts of the head were missing. Johann Winckelmann speculated that the place of discovery and the statue's condition suggested that it had been such a projectile.|