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Our animals theme also includes the many mythological creatures depicted by ancient people.
Ionia, c. 600 - 550 B.C.
In Greek mythology, the Sirens were dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. In early Greek art, Sirens were represented as birds with large women's heads, bird feathers, and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps. Later Sirens were sometimes depicted as beautiful women, whose bodies, not only their voices, were seductive.SH84464. Electrum hemihekte, Unpublished in major references; Naville auction VII (1924), Bement Collection, lot 1435; CNG, Triton XI (8 Jan 2008), lot 253, aEF, tight flan, earthen deposits, weight 1.367 g, maximum diameter 8.8 mm, Ionia, uncertain mint, c. 600 - 550 B.C.; obverse siren standing left; reverseincuse square punch; ex Numismatica Ars Classica, auction 92, part 2 (24 May 2016), lot 1476; this type is not published in the major references but many examples are known from auctions; rare; $1200.00 (Ä1020.00)
Luceria, Apulia, Italy, c. 211 - 200 B.C.
In 321 B.C., the Romans, deceived into thinking Lucera was under siege by the Samnites, walked into an ambush and were defeated. The town threw out the Samnites, sought Roman protection, and in 320 B.C. was granted the status of Colonia Togata, which meant it was ruled by the Roman Senate. To strengthen ties, 2,500 Romans moved to Lucera. Roman culture merged with the native one slowly, probably accompanied by cross-cultural marriages, but Lucera was a steadfast supporter of Rome. By the 2nd century B.C., the rustic town was transformed into a proper Roman city with houses, public buildings, paved roads, sidewalks and services for travelers, accommodation for livestock with running water, and warehouses for storing goods.GB86125. Bronze uncia, SNG ANS 709; SNG Cop 663; SNG BnF 1368; SNG MŁnchen 504; HN Italy 682; BMC Italy p. 141, 62; Hunterian -, VF, rough, weight 4.084 g, maximum diameter 14.9 mm, die axis 0o, Luceria mint, c. 211 - 200 B.C.; obverse laureate head of Apollo right, bow and quiver at shoulder, pellet behind; reverse LOVC-ERI, toad seen from above; very rare; $760.00 (Ä646.00)
Tarsos, Cilicia, c. 164 - 27 B.C.
The Tyche / Sandantype was the only autonomous silver issue of Tarsos. Sandan was a Hittite-Babylonian sun, storm, or warrior god, also perhaps associated with agriculture. The Greeks equated Sandan with Herakles (Hercules). At Tarsus an annual festival honored Sandan-Herakles, which climaxed when an image of the god was burned on a funeral pyre.GS86512. Silver drachm, cf. SNG Levante 925; SNG BnF 1295; BMC Lycaonia p. 178, 94; SNG Cop -; SNGvA -, VF, bold strike, tight flan, iridescenttoning, light marks, slight porosity, weight 3.918 g, maximum diameter 16.1 mm, die axis 0o, Tarsos (Tarsus, Mersin, Turkey) mint, 164 - 27 B.C.; obverse turreted head of Tyche right, bead and reelborder; reverseSandan standing right on the back of a mythical horned and winged goat-like animal walking right, he draped and wears a high headdress, bow case and sword on his left side, right hand extended, ax in left hand; two monograms behind (off flan), TAPΣEΩN (downward on right); from the David Cannon Collection, ex Beast Coins; very rare; $400.00 (Ä340.00)
Numismatica ARS Classica Auction 82, May 2015
The M.L. Collection of coins of Magna Grecia and Sicily & the J. Falm collection: miniature masterpieces of Greek coinage depicting animals.BC15796. Numismatica ARS Classica Auction 82, May 2015, softcover, 67 pages, 221 lots, illustrated throughout, good condition, only one copy available; $15.00 (Ä12.75)