Dear Justin W, Jay, Ralf, JBF, & Board,
I personally find
fake patinas, desert or otherwise, largely distasteful, but there is a practical, semi-legitimate reason for their existence. It can be summed up in the word "contrast."
Some ancient bronzes, for instance, are black as tar (as in one or more of my brass Aezani
Roman provincials). If the natural earthen sediments on them were completely removed, it would not only be hard to study them in hand, but terribly tricky to photograph them satisfactorily for publication or online display. A
bit of sand (naturally or artificially
applied) can go a long way in giving the coin depth and bringing out small details that would otherwise be hidden in a pool of inky
patina.
For
RPC Online, I
had submitted two early
Roman provincial coins of the same
type from
Bithynia (again struck in brass) for inclusion in their database and last printed
RPC supplement. One was in really marvelous shape, quite possibly the best of its
type currently known, but it was the other piece, worn and possibly stripped of its
patina, that was illustrated in the supplement and online database. That was because the first coin hardly
had any contrast. It was beautiful, yes, but also nearly pitch-black in color. In that respect, the second coin was more "photogenic."
As a
side note, in the early days of coin photography, it was common practice not to take pictures of the coins themselves, but of plaster casts of them, to avoid the problems discussed above which would have been even more problematic back in the day. One of the benefits of this practice is that we have "3D images" of certain coins whose current whereabouts are unknown.
I could go on, but I
hope what I have been able to jot down here was helpful to you.
Best regards,
Mark Fox
Michigan