Malcolm A. R. Colledge, in “
Parthian Art,” ties the
Parthians’ torque stylistic preferences to the earlier Persian dynasties. He writes, “
Jewelry clearly developed in exceedingly complex ways. By setting finds and representations in art together, some traits can be discerned. Achaemenian Persians
had liked heavy bracelets, solid armlets and, round the neck, torques with animal-head finials (Pope: I, 1938). And Parthian-period representations…from
Iran and Afghanistan reveal that bracelets, and single or multiple torques, remained popular amongst kings and
nobility, while a late-Parthian-period gold belt buckle or harness from Nihavand likewise recalls Persian tradition.” He goes on to outline how the “times
had changed” with Hellenistic influences coming into play. He doesn’t come out and explicitly state that the specific “seahorse” ended torque was inherited from the Persians, though.